Rdio has entered into a partnership that will integrate the on-demand streaming with live concert attendance. The company is working with AXS, a joint venture from AEG, to bring music to concert-goers. People who buy tickets through the AXS platform will be eligible for a free 30-day trial of Rdio Unlimited. Continue Reading
The Download on Podcasts is a new weekly feature sponsored by PodcastOne.
The spirit and anything-goes attitude of theCHIVE.com is carried into a new podcast, just three episodes old. The program is an interview format, and scored a big win with this week’s interview of celebrity entrepreneur Mark Cuban. Click through to listen. Continue Reading
After announcing 2 million subscribers back in July, Rhapsody and Napster have grown to 2.5 million paid subscribers worldwide. Those members listen to more than 5 million hours of music a week. A large part of the growth came from the company’s U.S. deal with T-Mobile, which contributed a 67% spike in unRadio subscriptions over the holiday season. Continue Reading
Clip Interactive, which has built its business on building interactive mobile apps for broadcast radio stations, announced that it is expanding its product line to include desktop and mobile browsers. This interactive web player will work on computers and mobile device browsers, bypassing the need for users to download a station-specific mobile app. Continue Reading
In recent editions of this feature we’ve looked at pre-roll audio ads (e.g. in Stitcher), and we regard audio pre-rolls as effective marketing that doesn’t strain the listener’s patience. We search for them in TuneIn and Pandora, and find something interesting — the second-roll. Continue Reading
Spain’s music industry association Promusicae revealed that the nation’s music market grew about 21% to more than €149.9 million last year. It was the first year since 2001 with an uptick in sales. A large portion of that growth came from streaming services, which contributed €47.2 million in revenue. Continue Reading
The Society of Composers, Authors and Music Publishers of Canada announced its financial results for 2014, and revealed $299 million in revenue from domestic, international and private copying proceeds. The figure broke last year’s record high of $276 million. Within that total, the organization received $20 million in revenue from Internet streaming companies, up from $3.2 million in the previous year. Continue Reading
Deezer’s first foray into the U.S. market was a special Elite service offered for Sonos systems. Now that partnership is going global, with Elite access to become available for Sonos owners across Europe, Latin America, Asia Pacific, and Canada on March 19. Continue Reading
We saw WiFi speakers dominating the news at CES this year, and the trend shows no sights of abating. Not only are many of the big tech brands getting in on the action, but recently smaller startups have been leveraging crowdfunding to try out their own innovations in that product niche. Continue Reading
Research firm Strategy Analytics issued a report to its subscribers, analyzing the mobile music market, and projecting its growth through 2021. RAIN discussed key points report author Wei Shi. “Streaming is in ascendency.” Continue Reading
Pandora and BMI are scheduled to go to court tomorrow and hash out the legal issues surrounding the streaming company’s royalty payments to the performing rights organization. BMI is seeking 2.5% of Pandora’s revenue for royalties, up from the 1.75% that it currently pays. Pandora wants a rate of 1.7%, comparable to the rates paid by most terrestrial radio stations. Continue Reading
As we reported last week, the U.S. Copyright Office released a comprehensive review of music licensing, and made recommendations for changes. Broadcast Law Attorney offers this thorough analysis of the report’s contents.
“The report tees up many issues for consideration. So now, let the debate begin!” Continue Reading