Interviews with, and contributions from, the most perceptive voices in the online audio industry.
“With streaming revenue growth slowing to 6.2% in 2024, the recorded music industry’s attention is firmly fixed on superfans as the ‘get out of jail free’ card. But there are early warning signs that the industry may be going too fast and that superfan spending is being pushed to the limit.” Continue Reading
In his latest column, James Cridland buys a new car and reports on its audio features — especially the radio tuner. DAB is there, and FM, but no AM at all. Not a crisis, he observes, because AM is simulcast on DAB. But there is unfavorable UX in other ways, and the screen fail one usability test after another. All this while James is at the 14th Atelier Radiophonique Romand in Switzerland, listening to Tomas Granryd discuss the EBU’s Connected Car Playbook. Swinging over to a review of that document, James finds a mix of great ideas and self-serving ones. As always, an interesting read. Continue Reading
In his latest column, James Cridland offers a few bullet points about an apparently unsuccessful ratings gambit, a multi-standard digital radio receiver, and the latest MIDAS survey results from RAJAR. Continue Reading
In his latest column, James unearths an old print ad for two Australian radio stations, and puzzles over a few conundrums. “There’s a lot to unpack from this press ad over thirty years later.” ALSO: A study from Audacy, an amazing face\t about Star Wars, the BBC applying for funds, James’ visit to the Pacific island of Niue, and more. Continue Reading
In his latest column, James shares takeaways from the recent Radiodays Asia and Podcast Day Asia conferences. He brings back intel about the DAB digital radio format, which he reports is gaining interest in Asian countries. And James evangelizes the format, saying it offers a surprising amount of new choice for broadcasters, which helps draw new listeners. UK radio group Global announced twelve new stations. ALSO: a wide range of observations and news from Europe, Australia, and Connecticut. It’s not called International for nothing. Continue Reading
In his pre-Podcast Movement weekly bulleting, James documents a well publicized radio closure in New York (CBS AM) and another in Sydney. James muses on these two events, and moves on to an intriguing graphic which illustrates the market share of radio stations in Dublin.
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High expectations and low results; that’s a theme i this week’s guest column from James Cridland. He cites Kyle and Jackie O Live — the biggest radio show in Melbourne Australia , and syndicated across the continent — as an example. Can breakfast syndicated shows work? James has a lot to say in this. Also: Two recommended albums, a star interviewer, and how Star Wars saved NPR (sort of). Continue Reading
This week James reports the BBC’s new station, called Election 2024. It’s a 24-hour news stream, and interestingly it is available only on the BBC Sounds app … and only in-UK listeners can hear it, and James is dubious. Also: American radio jingles, Australian radio mascots, and much more. Continue Reading
Capital Radio Network in Australia said it wasn’t trying to mislead listeners. Guest columnist James Cridland calls BS on that, and explains why. It’s about holding a listener contest without holding one. Nothing new, James says, and cites an example. Plus: Previewing the next iOS version, congratulations to winning broadcasters, and a preview of Swiss Radio Day. Continue Reading
Capital Radio Network in Australia said it wasn’t trying to mislead listeners. Guest columnist James Cridland calls BS on that, and explains why. It’s about holding a listener contest without holding one. Nothing new, James says, and cites an example. Plus: Previewing the next iOS version, congratulations to winning broadcasters, and a preview of Swiss Radio Day. Continue Reading
How is stardom calibrated in today’s music market? In his latest guest column, media thought leader Mark Mulligan compares three stars of three eras, putting side-by-side their album sales, Spotify streams (where applicable), concert tickets, and reach by percentage of population. The conclusion regarding Taylor Swift? “She is clearly a hugely successful artist at the top of her game,” Mark asserts. “But the game is not the same as it once was.” All this comes into focus when examining population reach. From that perspective, “mainstream” and “niche” merge together. A fascinating and important thought/research piece for understanding music success in 2024. Continue Reading
In his latest edition of International Radio Trends, guest columnist James Cridland listens (with his young daughter) to a pop-up Taylor Swift station in the UK. It’s a Capital contemporary hits station. and is well programmed, James says, and “shows the power of DAB as a flexible radio transmission platform, and more. Also: The UK general election, a BBC radio flashback, a demonstration of dynamic advertising, and more. Continue Reading