Interviews with, and contributions from, the most perceptive voices in the online audio industry.
“The recorded music industry had two lanes: retail and radio. Piracy killed retail. Streaming killed piracy, then went on to, if not kill, then seriously maim radio. The two lanes converged into one – reverse bifurcation.” In his latest column, Mark Mulligan asks whether streaming (more exactly, supremium) can monetize fandom. Continue Reading
The latest guest column from Amplifi Media CEO Steve Goldstein shares lessons he receives from an NYU class in podcasting … where he is the professor. In this column, the students are the teacher. Key principles of podcast success in the age of choice. Continue Reading
The latest guest column from Amplifi Media CEO Steve Goldstein reviews the recently concluded Podcast Show London. “An energized, impressively staged event,” Seve says. Five key takeaways are described here. “We’ve moved well past podcasting’s quaint beginnings.” Continue Reading
“Streaming may be maturing from a revenue perspective but with two-tier (‘artist centric’) licensing and supremium, 2025 is set to be a year of transformative change in both product and business terms. While each of these initiatives were designed with clear objectives, it is not so much the immediate consequences but the second order consequences that warrant most attention. As is so often the case, it is the unintended knock-on effects of actions that will likely prove to be most impactful, for both the business and culture of music. Here is what some of these may be for two-tier licensing and supremium.” Continue Reading
“With streaming revenue growth slowing to 6.2% in 2024, the recorded music industry’s attention is firmly fixed on superfans as the ‘get out of jail free’ card. But there are early warning signs that the industry may be going too fast and that superfan spending is being pushed to the limit.” Continue Reading
In his latest column, James Cridland buys a new car and reports on its audio features — especially the radio tuner. DAB is there, and FM, but no AM at all. Not a crisis, he observes, because AM is simulcast on DAB. But there is unfavorable UX in other ways, and the screen fail one usability test after another. All this while James is at the 14th Atelier Radiophonique Romand in Switzerland, listening to Tomas Granryd discuss the EBU’s Connected Car Playbook. Swinging over to a review of that document, James finds a mix of great ideas and self-serving ones. As always, an interesting read. Continue Reading
In his latest column, James Cridland offers a few bullet points about an apparently unsuccessful ratings gambit, a multi-standard digital radio receiver, and the latest MIDAS survey results from RAJAR. Continue Reading
In his latest column, James unearths an old print ad for two Australian radio stations, and puzzles over a few conundrums. “There’s a lot to unpack from this press ad over thirty years later.” ALSO: A study from Audacy, an amazing face\t about Star Wars, the BBC applying for funds, James’ visit to the Pacific island of Niue, and more. Continue Reading
In his latest column, James shares takeaways from the recent Radiodays Asia and Podcast Day Asia conferences. He brings back intel about the DAB digital radio format, which he reports is gaining interest in Asian countries. And James evangelizes the format, saying it offers a surprising amount of new choice for broadcasters, which helps draw new listeners. UK radio group Global announced twelve new stations. ALSO: a wide range of observations and news from Europe, Australia, and Connecticut. It’s not called International for nothing. Continue Reading
In his pre-Podcast Movement weekly bulleting, James documents a well publicized radio closure in New York (CBS AM) and another in Sydney. James muses on these two events, and moves on to an intriguing graphic which illustrates the market share of radio stations in Dublin.
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High expectations and low results; that’s a theme i this week’s guest column from James Cridland. He cites Kyle and Jackie O Live — the biggest radio show in Melbourne Australia , and syndicated across the continent — as an example. Can breakfast syndicated shows work? James has a lot to say in this. Also: Two recommended albums, a star interviewer, and how Star Wars saved NPR (sort of). Continue Reading
This week James reports the BBC’s new station, called Election 2024. It’s a 24-hour news stream, and interestingly it is available only on the BBC Sounds app … and only in-UK listeners can hear it, and James is dubious. Also: American radio jingles, Australian radio mascots, and much more. Continue Reading