Veritone sent around a notice that Audacy (formerly Entercom) has extended its agreement to use Veritone’s artificial intelligence. The news focuses on Veritone Discovery, an AI-powered content search and analysis application. Click for details. Continue Reading
Montreal-based global media/entertainment company Stingray has chosen Triton Digital’s Omny Studio unit to create, publish, and promote Stingray podcasts. Stingray is a giant music, media, and technology firm with offices around the world. Continue Reading
Today global podcast platform Acast makes public Acast+, a suite of tools giving podcasts ways of offering subscriptions to their shows as aternatives (or additions) to ad-funded shows. With Acast+, podcasters can offer ad-free streams, exclusive content, early access and much more to paying subscribers. Continue Reading
Podcasting attribution company Podsights has announced a $4-million fundraise from existing and new investors. Staff expansion is in the works, and the announcement includes several job listings. Also a growth chart. Continue Reading
Two questions about digital audio programmatic advertising were addressed in Triton Digital’s presentation at the RAIN Podcast Business Summit yesterday: 1. Is programmatic advertising a “race to the bottom” in ad revenue? 2. What are actual CPM rates in podcasting? Triton SVP Stephanie Donovan answered both with a view of average CPM rates for podcast programmatic advertising. Continue Reading
Podcast creation and monetization web service Sounder has raised $2.1-million, a year following $1.8-million the young company scooped up in March 2020. Over 14 months, the company has attracted about 4-million of seed financing. Continue Reading
Triton Digital is announcing that its measurement of French-language digital audio streams has been certified by the France-based Alliance for Press and Media Figures (ACPM) association, whose mission is to provide industry-standard measures to certify the audiences of any media that seeks to attract advertisers, including digital radio, websites, applications, podcasts. Continue Reading
Marketing it as a “first-of-its-kind audio advertising marketplace,” Spotify announced the Spotify Audience Network as part of its wide-ranging “Stream On” presentation. The promotional emphasis is on podcast advertising, but the marketplace itself includes music streamed to an audience of about 155-million listeners in Spotify Free. At the foundation of this initiative is the company’s Streaming Ad Insertion (SAI) tech. Continue Reading
iHeartRadio is announcing the launch of iHeart 3D Audio, using binaural recording and production techniques. The company will debut a new slate of podcasts in this new category of experiential media — Aaron Mahnke will be involved in that effort. Bonus episodes of The Ron Burgundy Podcast will also be created in 3D mode. Click through for a link to a demo reel. Continue Reading
The buzz and activity surrounding Clubhouse, a new audio social app for chatting and meetings, indicate an appetite for social audio experiences. Reports are swirling about a looming, well-funded competitor called Fireside, reportedly co-founded by Mark Cuban. Click through for what we know now, and perspective on a growing category. Continue Reading
Acast is sending around a brag-worthy announcement that its programmatic ad sales for podcasting grew 215% last year. This disclosure might be viewed as validation of programmatic in an industry where ad revenue has historically been based on bespoke performances of commercials by hosts while recording the show. The company projects 10% of 2021 revenue will derive from programmatic.
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Tru Optik, a TransUnion company, is announcing today a partnership with WideOrbit, the solutions provider for digital audio, broadcast, and TV. Tru Optik’s Data Marketplace will be integrated into WideOrbit’s Digital Suite to bring enhanced audience targeting to streaming radio and podcast advertising. Continue Reading