Where is the (musical) drama? Big data answers

Monday distraction: Paul Lamere, Director of Development Platform at The Echo Nest, which is owned by Spotify, has created an entertaining hack that anyone can try — Where Is the Drama? The idea is to use waveform analysis to identify a song’s climactic section. The experiment is fun, if nothing else. Read how Lamere accomplished this hack, and where you can test it. Continue Reading

Universal seeks summary judgment against Grooveshark in pre-1972 copyright case

Sirius XM was on the receiving end of some bad copyright news last week, and this week the recipient is Grooveshark. Universal Music Group is pushing for a summary judgment, claiming that it is the owner of pre-1972 recordings played on the streaming service. Since Grooveshark’s users are the ones uploading content and since labels can issue takedown notices, the platform has argued that it is covered by the Digital Millennium Copyright Act’s safe harbors and thus is not liable for infringement. Universal is arguing that this provision should not apply to the music dating before 1972. Continue Reading

Powerhouse growth of streaming revenue in 2014; music sales in double-digit slide (RIAA)

The RIAA released sales and revenue numbers for the first half of 2014. At the top line, a decrease of 4.9% in overall revenue. Streaming posted 28% growth during the half-year — those services supplied 27% of total industry revenue during the front half of the year, drawing close to the 28% share represented by physical music sales. Click through for more. Continue Reading

UK sees six-year low for digital radio sales

UK media regulator Ofcom found a 9.1% decline in digital audio broadcasting sets sold in the year ending in June. The annual digital radio report revealed that at 1.7 million sets, the past year had the lowest number sold since at least 2009. The report also showed flat performance for digital radio’s share of all radio listening, holding steady at 36.8%. Its findings for the popularity of digital radio indicated that the UK listeners are scattered in their preferences. Continue Reading

David Oxenford: Court Ruling for pre-1972 Music: What Does It Mean?

by David Oxenford

“This is a very surprising decision,” writes broadcast attorney David Oxenford in this comprehensive analysis of a federal court ruling in California. Looking forward, much depends on whether the surprising decision is upheld in appeal, and whather it is replicated in other courtrooms and states. “If this decision were upheld, the potential ramifications for business in California could be great.” Oxenford, who wrote about “The Summer of Copyright” this year, declares the start of what could be an equally contentious new season — “The Autumn of Copyright has begun!” Continue Reading

Streaming’s Share of Ear in U.S., U.K. Are Similar

Recent info from Edison Research’s Share of Ear study puts listening to Internet radio/Music in the US, among persons 12+ at 11.6% of overall listening to all legitimate sources of audio. Right around the same time we were discussing this study at RAIN Summit Indy, similar information was being presented at the Nextrad.io conference hosted by RAIN friends James Cridland and Matt Deegan. RAIN will be examining the online audio marketplace in the UK and across Europe in November at RAIN Summit Europe which will take place in London on November 4th. Continue Reading