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RIAA: At $2B, streaming was music’s top revenue source in 2015

2015 was a banner year for streaming. The RIAA released its results for the past year and found that streaming was not just the biggest segment of digital revenue, but also the largest component of industry revenue, period. The performance for 2015 demonstrated that streaming music continues its rise in both cultural and financial importance for the music industry. Continue Reading

Gwen Stefani joins the roster of self-windowing artists

The parade of self-gating artists marches on. Gwen Stefani is the latest to only allow streaming of her new release on paid streaming services. Spotify members curious to hear her album This Is What The Truth Feels Like see a message that the release will be available on April 1. That’s a two-week delay from the album’s official launch. Continue Reading

8tracks plans Regulation A crowdfunded equity offering

Kickstarter meets Wall Street. Music service 8tracks is filing for a Regulation A securities offering, hoping to raise $5-million or more through a public investment opportunity open to anybody. Required documents will be filed this week. After regulatory review, 8tracks expects the investment round to open by June. Regulation A is a relatively new investment type. Continue Reading

James Cridland’s Future of Radio: Radiodays Europe, online radio listening in the US, Kelner shafted by BBC

by James Cridland

James Cridland’s Future of Radio is a column by the Australia-based radio futurologist. THIS WEEK: Martin Kelner out from BBC; listening numbers and longevity for radio in the U.S. Also podcasts, ebooks, advertising, and much more. Continue Reading