Warner inks distribution deal in China, bringing its library to local streaming sites

Posted on by Anna Washenko

Warner Music Group has entered into a distribution agreement with Tencent, a Chinese Internet conglomerate. Tencent will be responsible for distributing Warner’s catalog and new releases to local music services in China. One of the main platforms where Tencent will be providing Warner’s library is its proprietary streaming music platform, QQ Music. The free listening service is one of the longest-running in China. Continue Reading →

Gracenote gets behind the wheel with unified music dashboard for car listening

Posted on by Anna Washenko

Gracenote announced the launch of a new platform that will enter the increasingly crowded space of connected car dashboards. The product is called Entourage Radio, and this very interesting platform will connect music sources including AM/FM radio and streaming platforms in a single interface, then initiate new listening experiences based on song-ID. Continue Reading →

eMarketer looks at YouTube ad revenue as Music Key steps into ad-free listening

Posted on by Anna Washenko

eMarketer released estimates about ad revenue from YouTube — especially interesting as the video platform releases Music Key ad-free listening. eMarketer projects that U.S. video ad revenue alone would increase 39.2% to $1.13 billion. The company expected that the figure would continue to expand in double digit percentages to a possible $1.75 billion in 2016. Continue Reading →

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YouTube Music Key already has enemies: Azoff questions service’s songwriter royalty rates

Posted on by Anna Washenko

The launch of YouTube Music Key is an exciting development for the streaming music sector, but it the new service already has a very vocal and powerful detractor. Irving Azoff, a music industry veteran and leader of the recent Global Music Rights venture, told The Hollywood Reporter that he is prepared to remove the works by 42 of his clients from YouTube. The threatened move could see about 20,000 copyrighted works taken away from the fledgling service, as well as from the original YouTube video platform. Continue Reading →

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Could the Taylor Swift publicity be good for Spotify?

Posted on by Brad Hill

When a global consumer service loses the most popular product in its catalog, it’s pretty bad news on the face of it. The seriousness of Taylor Swift’s much-publicized withdrawal from Spotify is perhaps reflected in the gravity and scope of founder Daniel Ek’s blog response yesterday. But crowd opinion, and thousands of news articles, might add up to good publicity. Spotify itself is uniquely asking Taylor Swift to return, with a “Come back, Taylor!” playlist. Continue Reading →

David Oxenford: Noncommercial Webcasters Royalty Rate Proposals for 2016-2020

Posted on by Brad Hill

Noncommercial webcasters are often forgotten in the discussion of the current proceeding to set Internet radio sound recording royalties. But, along with the royalties for commercial webcasters, the current Copyright Royalty Board proceeding will also set the rates for noncommercial webcasters. Broadcast attorney and frequent guest contributor David Oxenford explains everything. Continue Reading →

Bandcamp announces formal launch of artist-based subscriptions

Posted on by Anna Washenko

Bandcamp has rolled out an artist subscription for all musicians on its platform. CEO Ethan Diamond spoke with The Guardian about the new feature prior to the official announcement at the SF MusicTech Summit. “The whole motivation here is that when you get to a point that you love an artist – when you go from liking them to being a real true fan of theirs – at some point you just want everything they make,” he said. Continue Reading →