Tomorrow, Pandora will discuss the eventful and controversial topic of music licensing in a public conference call with investors. Anyone can dial in. The call comes after webcasters filed their royalty-rate arguments to the Copyright Royalty Board, in which Pandora proposed royalty rates to labels and artists lower than present rates, and about half the amount suggested by SoundExchange in its brief. Continue Reading
Radio Disney has started its migration into the digital realm thanks to three new stations arriving on Slacker. The new additions are Radio Disney, Radio Disney Junior, and Radio Disney’s Top 30 Countdown. Disney shuttered 23 of its 24 terrestrial stations back in August as preparation for a push into online platforms. Continue Reading
When a global consumer service loses the most popular product in its catalog, it’s pretty bad news on the face of it. The seriousness of Taylor Swift’s much-publicized withdrawal from Spotify is perhaps reflected in the gravity and scope of founder Daniel Ek’s blog response yesterday. But crowd opinion, and thousands of news articles, might add up to good publicity. Spotify itself is uniquely asking Taylor Swift to return, with a “Come back, Taylor!” playlist. Continue Reading
Rhapsody posted a net loss of $7.97 million in the third quarter, according to the financial results filed by main investor RealNetworks. The streaming platform generated record-high revenue of $44.1 million, up 25% from the previous year’s figures. In the second quarter, Rhapsody’s net loss was about $4.7 million. Continue Reading
Intentionally named, The FIX promotes itself as an antidote: “Charleston’s answer to boring radio.” That’s Charleston, South Carolina. If you live around there, you want to know about The FIX for its focus on local bands and events. If you don’t, you want to tune in this pureplay station for the carefully curated alt-rock programming. Continue Reading
We announce the results of RAIN Polls after one week. But we don’t shut down the polls after publishing the results. In some cases they remain active through search engines and social pointers. When that happens we revisit and update the results. Continue Reading
Thanks to sponsoring partner AudioBoom, the audio recordings of RAIN Summit Europe (Nov. 4 in London) were posted in nearly real-time. Below is the AudioBoom playlist of the whole day’s sessions. Stay tuned for videos, coming soon. Also, in days to come we will post reports of key panels, quotes, news, Twitter updates, and other details from RAIN’s third annual European trade conference for the online audio industry. Continue Reading
iHeartMedia announced that Adam Denenberg has been appointed as chief technology officer for the iHeartRadio Network. In this role, Denenberg will oversee the technology strategy and vision for the online radio platform, including technical direction, new product R&D, and technology infrastructure across the network of websites. Continue Reading
Many in the advertising world think of Big Data as a damper to the creative process and the cause of the “wind tunnel” effect. What they don’t realize is that Big Data is more likely to become marketing’s biggest ally than its mortal enemy. Guest column by Bret Kinsella of XAPPmedia. Continue Reading
Triton Digital announed today that it is DAAST-compliant, among the first technology providers to fully adopt the proposed audio advertising standard. DAAST was developed by the IAB and its Digital Audio Ad Serving Template Working Group. Triton’s announcement applies to its recently launched Tap advertising platform, released in September. DAAST is a technical ecosystem in which advertisers, publishers, agencies, and consumer playback devices are aligned to coherently deliver and track streaming audio advertising. Continue Reading
Plugging on despite its legal woes, Grooveshark announced a new plan for a live concert series. Grooveshark Presents aims to tap into the platform’s community for input and suggestions as it plans the events. “We are removing the significant risks promoters take in booking talent, simply by combining the intelligence gathered from our streaming platform with our unique ability to communicate with our listeners,” CEO and cofounder Sam Tarantino said. Continue Reading
Programmatic advertising is well established in the web display industry, and growing fast in video. Radio (broadcast and streaming) lags behind, but awareness is growing as ad-buying software platforms become more sophisticated for audio. What is the future? For Gordon Borrell, the answer is clear: Programmatic will take over audio ad buying and selling, and sales reps face elimination and changing roles. Continue Reading