Nordic streaming swells, radio (sometimes) leads discovery

Streaming is a popular music choice in the Nordic region and continues to grow in popularity. A survey commissioned by three European collecting societies found that 9.4 million consumers in the region streamed music in 2015. The survey also inquired about discovery outlets. Radio was the top choice on average, but preferences shifted drastically for the youngest respondents. Continue Reading

Digital spending drove January ad growth; Internet radio buys up 29%

Standard Media Index released its January U.S. advertising report. As in other recent editions of this report, digital spending across media categories rose. The uplift in digital spending kept the entire ecosystem in a 13-month growth trend. Radio was split: Traditional radio down, Internet radio up, both by double digits. Continue Reading

Spotify/TNS study compares Spotify and radio listening in Canada

Spotify has expanded its listenership measurement study, produced by TNS, and today released results of a survey conducted in Canada. Like the European study, the Canada survey measures listening to terrestrial radio and to Spotify’s free online radio service, and demonstrates that Spotify’s audience provides incremental additional reach to radio advertisers. Continue Reading

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Digital revenue projected to grow for radio, RAB finds

Digital ad revenue for the radio industry increased 11.4% to $550.8 million in 2015. That’s the key takeaway from the latest benchmarking report commissioned by the Radio Advertising Bureau. According to the analysis, the average market cluster saw $961,756 from digital sales during the year. Continue Reading

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Bret Kinsella: Streaming Royalties Rise, But What Story Does SoundExchange Data Tell?

by Bret Kinsella

Royalty payments are the single biggest cost for Internet radio and audio streaming services. Guest columnist Bret Kinsella examines SoundExchange’s Q4 financial statement, and matches it up to streaming growth metrics. The two datasets don’t match, but it’s not about lower revenue to the music industry. It’s about the money taking different paths to get there.
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