MixRadio has signed on to use the Digital Audio Exchange (Dax) run by UK media company Global. The streaming audio platform will use Global’s exchange to monetize its inventory. Dax was created in 2014 as a hub for direct and programmatic advertising. Continue Reading
This week in 2010, Spotify was still 18 months away from opening in the U.S., and music subscription streaming had not caught the imagination of American consumers. We throw back to pundits wondering whether “renting” music would ever catch on. Continue Reading
Edison Research presented new research at the Country Radio Seminar in Nashville this week. The slide presentation is a dazzling, Star Wars-influenced “Ear Wars” show complete with deep-space Lucas-style video backgrounds. Within, Edison reveals new numbers from its ongoing Share of Ear study. Continue Reading
TagStation announced that its NextRadio app saw overall listening increase 334% in 2015. “All of this progress supports the fact that consumers are finding value and a unique experience in the NextRadio app,” NextRadio President Paul Brenner said. Continue Reading
Last year marked the beginning of a trend toward music players attempting to create a platform-agnostic listening experience, a single service where you can pull songs from all around the web to get the most comprehensive library possible. The first wave of those platform-agnostic apps has largely fallen silent, but the latest to try a hand at it is Soundsgood. Continue Reading
A large swath of streaming platforms have been hit with another lawsuit over pre-1972 royalties. The plaintiff is Ricky Spicer, a member of the group Ponderosa Twins Plus One, and he is seeking class action status for his case against Spotify, Apple, Google, SoundCloud, iHeartMedia, Pandora, and Sony Computer Entertainment. Continue Reading
News items and worthy reads from around the web: Will Streaming Music Kill Songwriting? Also the RIAA’s half-measures in streaming and forecasting a direct-to-fan future Continue Reading
Music’s biggest night is always preceded by a wave of predictions. This year is no exception, and in fact, the growing number of channels listeners use to experience their favorite tunes have created even more ways to analyze who might walk away with a Grammy award.
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Digital ad revenue for the radio industry increased 11.4% to $550.8 million in 2015. That’s the key takeaway from the latest benchmarking report commissioned by the Radio Advertising Bureau. According to the analysis, the average market cluster saw $961,756 from digital sales during the year. Continue Reading
Sacramento rock fans enjoy a refreshingly uncommercialized option as “The Brew” launches today on 107.1-FM with a 10,000-song commercial-free promotion of its Rock-formatted station. We chatted with Program Director Paul Boris. Continue Reading
Spain’s music market posted a second consecutive year of growth in 2015, according to Spanish industry organization Promusicae. Spending on recorded music last year totaled €160.2 million ($180.4 million), up from €149.9 million in 2014. Of the 2015 total revenue, €64.5 million came from streaming, thanks to a more than 35% increase to paid subscriptions to more than half a million paying customers. Continue Reading
A double dose of financial information emerged around SoundCloud this morning. First, the company’s financial results for 2014 have been filed with UK authorities. Second, those results could mean that the company will be pursuing another fundraising round this year. Continue Reading