Nielsen releases 2014 music report

Now that we’ve set off on a fresh new year, we’re getting some interesting and insightful perspectives on everything that transpired in the music world during 2014. Data scientists have had the time to collect final numbers and finish analyses. On Jan. 2, we got a preliminary look at the work of Nielsen SoundScan team, which showed a general trend of increased streaming and decreased sales. Today, we have the 2014 Nielsen Music U.S. Report to expand on those first finds. Continue Reading

Warner Music’s 2014 financials show streaming growth, but marginalized publishing revenue

Warner Music Group posted its financial report for the year ending Sept. 30, and the results included some impressive figures related to streaming. The company’s revenue rose 5.2% to $3.02 billion, it’s highest number since 2009. That total was bolstered by an increase of $150 million in revenue from streaming music. Continue Reading

Aussie telecom closing its music downloads store, may seek a partner instead

Australian telecommunication company Telstra announced that it is shuttering Bigpond Music, its online music download store. “The download-to-own music market has changed a lot,” a rep from Telstra said. “We believe the best way for us to continue to provide great music services to our customers is via a partner model.” Continue Reading

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iHeartMedia proposes reducing webcast royalty rates by 80%

by Brad Hill

iHeartMedia has proposed reducing the royalty rate webcasters pay to artists and labels, cutting the existing rate set for terrestrial webcasters by 80 percent. The suggested royalty amount is less than half of Pandora’s suggested rate, which in turn is about half the rate suggested by SoundExchange, which represents music labels. iHeart’s argument is based on its negotiated deal with Warner Music Group, which provides lower royalty rates in exchange for greater exposure of Warner music. Continue Reading

Spotify’s Lowlands research: Streaming supports and extends the value of live music

The inverse relationship of streaming music and music sales is well known: Streaming up, sales down. A similar symbiotic relationship exists between music concerts and music sales. But how do streaming and concerts interact? Is the relationship mutually beneficial? That’s what Spotify’s Director of Economics Will Page set out to discover in a new study. Continue Reading