Niche label Blue Music Group, which specializes in Scandinavian jazz and classical artists, announced yesterday that it has withdrawn its catalog from Spotify’s on-demand streaming service. The announcement, and its wording, make an interesting illustration of the tricky decision facing content owners during a time of industry disruption. Continue Reading
If U.S. legislative bodies and lobbying groups are neck-deep in music-licensing and copyright issues during this “Summer of Copyright,” their northern neighbors are wading into turbulent waters, too. A protest of Canadian music royalty rates, set by the government in May, is underway. Continue Reading
Garth Brooks is the best-selling solo artist of all time. He has been content to sit out the digital music disruption, which has mainly occurred during a 13-year retirement. Tomorrow, though, the official Garth Brooks site will start selling downloads of Brooks’ back catalog. A new album will drop in November, and the download version will likewise be sold exclusively on the site. Continue Reading
The Judiciary Committee of the U.S. House of Representatives held its second hearing on music licensing regulations, hosting a panel of music-industry executives who delivered prepared statements and answered questions. As with the first hearing on June 10, four contentious issues framed today’s proceeding:
All four pillars of copyright discontent got some play today. Broadcast radio took a severe beating, but unlike the first hearing, the radio industry was represented. Continue Reading
Broadcast law attorney David Oxenford contributes an information-packed overview of potential music copyright reform, and all its moving parts. Continue Reading
Boutique investment banking firm Coady Diemar released its June edition of the Random Bits note to investors. Focused on digital music, with particular attention to the Apple/Beats acquisition, the analysis concludes that the so-called access model is supplanting music ownership. Continue Reading
Price Waterhouse Cooper (PWC) released its Global Entertainment and Media Outlook 2014-2018, in which it forecasts growth drivers in the music business. “Music streaming explodes” is PWC’s characterization of streaming’s role in industry growth. Continue Reading
The latest of many legislative proposals which would require broadcast radio to pay performance royalties to labels and artists was introduced yesterday in the House of Representatives. The bill spins a cagey framework by putting radio stations on the same place in the delivery chain as cable companies. Continue Reading
Record Store Day might seem to be an anachronism to some, but the annual event (held this past Saturday) is fun, well-attended, good for the stores, and nice promotion for many musicians and bands. For me, it’s all about the memories. For many years I lived in Princeton, NJ, home of a famous independent music store. Continue Reading
The world’s biggest record label groups have filed a lawsuit against Pandora in an attempt to recoup royalties for music recorded before 1972, which is not protected by U.S. copyright law. The legal question hinges on a loophole in the U.S. Copyright Act. the suit is filed in New York State. Continue Reading
The latest music/telecom partnership is on the way, as Spotify and Sprint reportedly work on a bundling deal to be announced later this month, perhaps modeled on the tie-up of Beats Music with AT&T, which offers discounted music subscription to families using the cell-phone service. Continue Reading
In this guest article, IP attorney Angus MacDonald of the University of California analyzes the recently-released 2013 annual report from SoundExchange, and Pandora’s financial statements, to conclude that Pandora pays over 50% of SoundExchange collections to labels. What does this mean for U.S. regulations in the next royalty period? Continue Reading