Nicki Minaj weighed in on the role of streaming in an Instagram post celebrating one year of her album The Pinkprint. She called for streaming performance to be accounted for in sales figures. “The music business doesn’t really seem designed to reward our culture with the sales & accolades we deserve,” she wrote. Continue Reading
Rivet Radio has partnered with Mood Media, which could see its audio programming playing at many thousands of businesses. Mood Media provides clients with experience design solutions, including music and audio for companies ranging from retailers to restaurants. Thanks to this partnership, Rivet Radio’s short news clips can be mixed into the customized music programs of Mood clients. Continue Reading
DGital Media is at it again, adding another sports show to its roster. Yahoo Sports’ Adrian Wojnarowski, usually nicknamed Woj, is hosting the new program, which debuted today and quickly rose to the No. 2 spot in the iTunes charts. Continue Reading
While Pandora, iHeartMedia, and the National Association of Broadcasters (NAB) are content with new CRB rates, the royalty ruling puts smaller streamers on shaky ground, we’ve heard from several sources. Click for comments by Rusty Hodge, Kurt Hanson, Brian McAndrews, and David Porter. Continue Reading
On the Move tracks hires, promotions, and other notable personnel changes within the online audio industry. Today’s moves include shuffled positions for iBiquity leaders now that the DTS acquisition is finished. Also CueSongs has promoted within its licensing department. Continue Reading
Global media holding company Vivendi announced today that it has acquired a majority share (64.4%) of Radionomy Group, taking a stake in pureplay online radio and streaming audio advertising. Continue Reading
Brief news items and worthy reads from around the web: The most-covered Christmas songs; where are Spotify’s Shows?; Vox talks podcasting; a new feel for classic rock radio; the brain drain at the BBC. Continue Reading
In an open conference call that was bumped back three hours by a late-day release of webcaster rates by the Copyright Royalty Board (CRB), Pandora addressed the new rates and answered investor questions about the business going forward. Continue Reading
BPI and the Official Charts Company analyzed data about the most popular genres in streaming. The numbers showed that streaming of dance music is growing faster than other styles, with the number of audio streams in the year-to-date increasing 107% over 2014. Continue Reading
Mediaocean announced that it has integrated iHeartMedia’s digital ad inventory into its Spectra media management platform. All of iHeart’s digital output is included, from computer to phone, tablet to gaming systems, and is quantified by Triton Digital’s Webcast Metrics Local. Continue Reading
If it’s difficult to identify winners and losers in the new CRB webcaster rates, the official comments emanating from three major participants tell a story: Major webcasters OK with it; music industry not. Continue Reading
At 5:15 Eastern U.S. time, the Copyright Royalty Board released the outline of its Webcaster IV ruling, setting royalty rates paid by Internet radio to music labels for the 2016-2020. Pandora’s rate: $.0017 per stream for non-subscribing listeners. SoundExchange wanted that number to be $.0025. Continue Reading