All about copyright, understanding music licensing, and government regulations.
More details have emerged about the royalty lawsuit filed against Tidal. First the streaming platform issued a statement about the legal action, and noted that it has removed all music from the plaintiffs. Second, Tidal confirmed that it has fired two of its C-suite leaders. Continue Reading
Tidal has been hit with a class-action lawsuit over royalty issues. In an ironic twist for the artist-owned company, plaintiffs claim that they did not receive correct notices of intent from the streaming platform and did not get accurate royalty payments for their music that was played on Tidal. Continue Reading
The UK is adopting new rules for its collection societies aimed at streamlining the artistic rights process across Europe. The regulations, which take effect on April 10, build on an EU directive from 2014 that sought to make digital rights management simpler across borders. Continue Reading
In the wake of David Lowery’s lawsuit against Spotify, other streaming services are now allegedly moving to protect themselves against similar actions. Both Deezer and Rhapsody have reportedly made moves related to Lowery’s catalogs with the bands Camper van Beethoven and Cracker. Continue Reading
The most informative part of quarterly earnings calls can be the Q&A with investors, for the strategic story beyond the financials. Click through for insights, perspectives, and forward projections voiced by CEO and Brian McAndrews and CFO Mike Herring in last week’s responses to investors. Continue Reading
Spotify has made its first parry in the lawsuit filed against the streaming service by musician and activist David Lowery. According to a newly filed motion, Spotify is seeking to remove the class allegations, calling the case “a fatally flawed candidate” for that status. Continue Reading
One of the most interesting aspects of the full determination just released by the Copyright Royalty Board (CRB) is the detailed argument put forward by the National Association of Broadcasters (NAB) that radio simulcasts should pay a lower music royalty rate than pureplay webcasting (e.g. Pandora). The copyright judges praised the NAB witness presentations, but ultimately rejected the attempt. Continue Reading
A large swath of streaming platforms have been hit with another lawsuit over pre-1972 royalties. The plaintiff is Ricky Spicer, a member of the group Ponderosa Twins Plus One, and he is seeking class action status for his case against Spotify, Apple, Google, SoundCloud, iHeartMedia, Pandora, and Sony Computer Entertainment. Continue Reading
The National Academy of Recording Arts and Sciences, the force behind the annual Grammy Awards, announced plans to create a lobbying group dubbed the Grammy Fund for Music Creators. “We won’t be the largest PAC in Washington, but we will be the loudest,” the academy’s Daryl P. Friedman said. Continue Reading
Two collecting societies are considering a joint venture that would manage all public performance licensing in the UK. PRS For Music and PPL have announced a proposal to create a 50/50 company that would unite the licensing activities under a single roof. Continue Reading
As forewarned, the venerable webcasting platform Live365 came to an end tonight. The abrupt collapse of a pioneer in online radio is connected to the five-year cycle of music licensing royalties. The webcast landscape has been thinned of its vigor, entrepreneurism, and musical diversity. Continue Reading
This open letter is from Bill Goldsmith, Founder and Owner of Radio Paradise, one of the most venerable and recognized Internet radio stations. It is an appeal to David Byrne, as a board member of SoundExchange, to renew royalty protections that have enabled small webcasting for the past six years. Continue Reading