Internet Radio Rewind #040: A podcasting Peabody; Tidal courts indies, Norway targets FM

A weekly podcast from RAIN News

Sponsored by AudioBoom


The weekly update of the streaming audio industry, from RAIN News. THIS WEEK: “Serial” wins a Peabody; Apple Watch launch day — what can you listen to?; new iHeartMedia podcasts; Tidal reaches out to indies; Norway targets FM switch-off. Continue Reading

Radio claims “seat at the table” for programmatic buying: iHeart and Katz partner with Jelli

In a far-reaching agreement, iHeartMedia and its subsidiary Katz Media Group have partnered with Jelli, the automated radio advertising platform, for programmatic ad-buying of broadcast radio inventory. RAIN News spoke to Jelli CEO Mike Dougherty. Continue Reading

Editor’s Notebook: Ipsos In-Car Audio Study confirms people like what they’re familiar with

by Brad Hill

A new Ipsos In-Car Audio Study, sponsored by iHeartMedia, reveals that most repondents listen to AM/FM radio in the car, and overwhelmingly like push-button radios in the dashboard. This column notes that the average American car is 11.4 years old, and that technology change is always resisted by a preference for the familiar. Continue Reading

iHeartMedia announces SoundBoard, a creative studio for brand marketing

Seeking to offer brand marketers deeper and more original integration into its vast range of distribution assets, iHeartMedia has built and launched iHeartMedia SoundBoard, a creative entertainment studio that promises to develop innovative ad campaigns.

We spoke with Gayle Troberman, Chief Marketing Officer for iHeartMedia. Continue Reading

6

iHeartMedia proposes reducing webcast royalty rates by 80%

by Brad Hill

iHeartMedia has proposed reducing the royalty rate webcasters pay to artists and labels, cutting the existing rate set for terrestrial webcasters by 80 percent. The suggested royalty amount is less than half of Pandora’s suggested rate, which in turn is about half the rate suggested by SoundExchange, which represents music labels. iHeart’s argument is based on its negotiated deal with Warner Music Group, which provides lower royalty rates in exchange for greater exposure of Warner music. Continue Reading