Verstandig Broadcasting perseveres in royalty-exemption case

Inside Radio tells us that Verstandig Broadcasting is pushing back against the recent magistrate recommendation that the case be thrown out. Verstandig is suing SoundExchange, seeking an exemption from paying royalties for recordings used in the online streams of Verstandig stations. the case hinges on an argued loophole in the Copyright Act, which potentially allows a royalty exemption for retransmitted music in a 150-mile radius, representing a typical terrestrial signal reach. It’s all a bit obscure, but significant. Continue Reading

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iHeartMedia research investigates the power of audio advertising on brains

iHeartMedia, the conglomerate formerly known as Clear Channel, released new data from a study in partnership with Neuro-Insight about the brain’s response to different types of communication. The results showed that radio advertisements performed better than television advertisements for the same companies. Continue Reading

Online Audio On Stage At Advertising Week

It’s Advertising Week in New York this week. Jennifer Lane was there, and attended a panel sponsored by XAPP Media featuring a discussion of online audio ad campaigns. Bryan Moffett of NPR, Brian Benedik of Spotify, and Cathy Csukas of AdLarge talked about the push to offer innovative opportunities to advertisers. Continue Reading

Judge finds Grooveshark liable for copyright infringements

It seems yesterday’s news was just the tip of the iceberg in Grooveshark’s copyright woes. Today, a district court judge ruled that Grooveshark is liable for copyright infringement because its employees uploaded tracks without the labels’ permission. The judge determined that these uploads were not protected by the DCMA safe harbor provisions. Continue Reading

UK sees six-year low for digital radio sales

UK media regulator Ofcom found a 9.1% decline in digital audio broadcasting sets sold in the year ending in June. The annual digital radio report revealed that at 1.7 million sets, the past year had the lowest number sold since at least 2009. The report also showed flat performance for digital radio’s share of all radio listening, holding steady at 36.8%. Its findings for the popularity of digital radio indicated that the UK listeners are scattered in their preferences. Continue Reading

Streaming’s Share of Ear in U.S., U.K. Are Similar

Recent info from Edison Research’s Share of Ear study puts listening to Internet radio/Music in the US, among persons 12+ at 11.6% of overall listening to all legitimate sources of audio. Right around the same time we were discussing this study at RAIN Summit Indy, similar information was being presented at the Nextrad.io conference hosted by RAIN friends James Cridland and Matt Deegan. RAIN will be examining the online audio marketplace in the UK and across Europe in November at RAIN Summit Europe which will take place in London on November 4th. Continue Reading

Pandora embarks on first online ad campaign, with “thumb gifts”

Pandora seeks to disrupt radio by competing for share of listeners, and ad dollars. At the same time, Pandora watches its audience growth, which has been more or less stable at about 76-million users per month. To further that second priority, Pandora is launching its first online ad campaign with a $5-million buy on socially oriented sites like BuzzFeed, Twitter, and Facebook. Continue Reading

Editor’s Notebook: Will Apple shutter Beats Music? (And more important questions)

At RAIN News we prefer facts to rumors. But rumors can anticipate reality. Whether they do or not, well-sourced rumors are interesting, and point to underlying issues. This rumor started with a TechCrunch article, circulated by other publications, and was quickly denied by Apple. Another recent Apple acquisition might provide guiding light. And no matter what happens to the Beats Music brand, important questions surround Apple’s role in music and listening. Continue Reading

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Mark Mulligan: The Three Things Streaming Needs To Fix Next

by Mark Mulligan

This guest column identifies a “middling majority” of music creators whose businesses are not thriving in the streaming music services. Mark Mulligan proposes a formula for better monetizing a band’s relationship with listeners and fans — and offers a worksheet of the model for artists to work with. Continue Reading

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The “Me” Generation: Why Music Curation Isn’t the Answer

This guest column was contributed by Mike Spinelli, a third-year law student at Quinnipiac University School of law, where he is studying music transactions and music licensing. He previously worked at SoundExchange. Where does the future lie for music services — human curation of playlists, or data-driven music selection? Continue Reading

Lexus partners with Pandora on “pop-up” concert series

Pandora is working with car dealer Lexus to host a series of four free pop-up concerts in Southern California. According to Pandora’s press release, the streaming radio platform used its Big Data stores to determine the best artists to feature at each concert location. It will extend invitations to the Lexus Pop-Up Concert Series to Pandora listeners who enjoy the headlining musicians and similar artists. Continue Reading