Author: Brad Hill

Leading EDM pureplay Digitally Imported plans ambitious new service

Posted on by Brad Hill

In a wide-ranging conversation with Digitally Imported executives,, RAIN learned that the leading Electronic Music online radio outlet is planning an ambitious evolution of the service. The new Digitally Imported, details of which will be divulged later this month, will position itself as a complete music consumption platform for EDM and other sub-genres of electronic music, combining music discovery and buying functions in a way that founder Ari Shohat describes as “integrated in unique, special ways.” Continue Reading →

adStream: Notes on Slacker’s mobile ads

Posted on by Brad Hill

adStream is a journal of ad-stalking and interesting commercial sightings in online audio services. It had been a while since we had turned our ad-stalking attention to Slacker Radio. We wanted to see whether Slacker deployed a similar full-court press as Pandora, which frequently covers our phone screen with a graphic ad that must be manually closed to see what’s playing. Continue Reading →

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Editor’s Notebook: eMusic’s long road and changing identity

Posted on by Brad Hill

by Brad Hill

Once a pioneer, subscription music-download site eMusic is striking out afresh with news of a change its music catalog to focus on indie labels and artists. The service will discontinue major-label recordings. In doing so, eMusic circles back to its roots as a champion of indie music, and of users who dig deeper than the hit charts. Continue Reading →

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Judge reduces punitive damages against Michael Robertson in MP3Tunes.com case

Posted on by Brad Hill

In March we covered the first ruling in a years-long court case against Michael Robertson, founder of MP3Tunes.com. The verdict went badly for Robertson, who faced a bill for $48-million in damages and punitive compensation. Now the presiding judge has reduced the punitive component of the verdict to one-tenth of its original size — from $7.5-million to $750,000. Continue Reading →

Where is the (musical) drama? Big data answers

Posted on by Brad Hill

Monday distraction: Paul Lamere, Director of Development Platform at The Echo Nest, which is owned by Spotify, has created an entertaining hack that anyone can try — Where Is the Drama? The idea is to use waveform analysis to identify a song’s climactic section. The experiment is fun, if nothing else. Read how Lamere accomplished this hack, and where you can test it. Continue Reading →

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Artists win first ruling in pre-1972 royalty lawsuits; Sirius XM loses — impact unclear

Posted on by Brad Hill

A California judge has delivered a result in the Turtles vs. Sirius XM class action case, in which the oldies band sought damages for Sirius XM’s failure to pay royalties for use of pre-1972 music. The court issued a summary judgment in favor of the artists, striking a blow to Sirius XM and sending tectonic shock waves across the streaming music landscape. Although the ruling is clear, its impact is not. The case centers on discrepancies between state and federal music-licensing laws, and lack of clear regulation in both realms. Continue Reading →

Pandora embarks on first online ad campaign, with “thumb gifts”

Posted on by Brad Hill

Pandora seeks to disrupt radio by competing for share of listeners, and ad dollars. At the same time, Pandora watches its audience growth, which has been more or less stable at about 76-million users per month. To further that second priority, Pandora is launching its first online ad campaign with a $5-million buy on socially oriented sites like BuzzFeed, Twitter, and Facebook. Continue Reading →