Once a pioneer, subscription music-download site eMusic is striking out afresh with news of a change its music catalog to focus on indie labels and artists. The service will discontinue major-label recordings. In doing so, eMusic circles back to its roots as a champion of indie music, and of users who dig deeper than the hit charts. Continue Reading
In March we covered the first ruling in a years-long court case against Michael Robertson, founder of MP3Tunes.com. The verdict went badly for Robertson, who faced a bill for $48-million in damages and punitive compensation. Now the presiding judge has reduced the punitive component of the verdict to one-tenth of its original size — from $7.5-million to $750,000. Continue Reading
audioBoom (formerly audioBoo) has re-launched on a new domain and with new branding. At the same time, the company rolled out a renovated iOS iPhone/iPod app that overhauls the previous version’s navigation and features. Continue Reading
Monday distraction: Paul Lamere, Director of Development Platform at The Echo Nest, which is owned by Spotify, has created an entertaining hack that anyone can try — Where Is the Drama? The idea is to use waveform analysis to identify a song’s climactic section. The experiment is fun, if nothing else. Read how Lamere accomplished this hack, and where you can test it. Continue Reading
In 2001, British station manager Richard Cowell crossed the digital divide to launch Music One, a top-40 Internet station. He gradually shifted the programming to dance music and saw the audience grow in support of that format. These days, Music One plays a foot-bouncing mix of EDM and dance pop. Continue Reading
Apple’s forced distribution of U2’s new album, Songs of Innocence, is widely regarded as a public relations catastrophe that damaged both brands. We asked RAIN readers what they thought about free music landing in their devices. Welcomed gift, or abhorred gaffe? The results are fairly definitive. Continue Reading
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An eight-minute blast of news you need to know in streaming music and online audio. This week: RIAA, Shazam, Apple, U2, copyright ruling, Beats Music, WBUR, Google Glass. Continue Reading
Brief news items and worthy reads from around the web: Classic rock’s high prices and good exposure from ads; Pandora CFO on repairing licensing relationships; Wonder.fm offers SoundCloud hit discovery. Continue Reading
A California judge has delivered a result in the Turtles vs. Sirius XM class action case, in which the oldies band sought damages for Sirius XM’s failure to pay royalties for use of pre-1972 music. The court issued a summary judgment in favor of the artists, striking a blow to Sirius XM and sending tectonic shock waves across the streaming music landscape. Although the ruling is clear, its impact is not. The case centers on discrepancies between state and federal music-licensing laws, and lack of clear regulation in both realms. Continue Reading
Pandora seeks to disrupt radio by competing for share of listeners, and ad dollars. At the same time, Pandora watches its audience growth, which has been more or less stable at about 76-million users per month. To further that second priority, Pandora is launching its first online ad campaign with a $5-million buy on socially oriented sites like BuzzFeed, Twitter, and Facebook. Continue Reading
Apple’s universal distribution of U2’s new album — the controversy that won’t die. As the dust slowly settles, we’d like to know how it shakes out for you, whether you’re an Apple device user or not. Was the free (and forced) album a huge blunder? Or is all the complaining a waste of bandwidth? Vote your opinion! Leave a survey comment, too — as always, selected comments will be published with the poll results. Continue Reading
adStream is a journal of ad-stalking and interesting commercial sightings in online audio services. As we were browsing for a playlist recently in the web browser view of Songza, we encountered smart use of the palette to display two simultaneous campaigns. Continue Reading