eMarketer released estimates about ad revenue from YouTube — especially interesting as the video platform releases Music Key ad-free listening. eMarketer projects that U.S. video ad revenue alone would increase 39.2% to $1.13 billion. The company expected that the figure would continue to expand in double digit percentages to a possible $1.75 billion in 2016. Continue Reading
Radio Disney has started its migration into the digital realm thanks to three new stations arriving on Slacker. The new additions are Radio Disney, Radio Disney Junior, and Radio Disney’s Top 30 Countdown. Disney shuttered 23 of its 24 terrestrial stations back in August as preparation for a push into online platforms. Continue Reading
The launch of YouTube Music Key is an exciting development for the streaming music sector, but it the new service already has a very vocal and powerful detractor. Irving Azoff, a music industry veteran and leader of the recent Global Music Rights venture, told The Hollywood Reporter that he is prepared to remove the works by 42 of his clients from YouTube. The threatened move could see about 20,000 copyrighted works taken away from the fledgling service, as well as from the original YouTube video platform. Continue Reading
Ad-tech company AdsWizz announced the hire of Paul Brown as VP, European Solutions. Brown leaves Bauer Media, one of the U.K.’s largest radio groups, where he was Digital Development Director. He joined Bauer as part of the acquisition of Absolute Radio in 2013. Continue Reading
Thought leader and guest contributor Mark Mulligan looks at just-launched YouTube Music Key, and digs into a series of questions about artist response, the fate of music video service Vevo, the potentially changing price point of music subscription, and a YouTube identity crisis. Continue Reading
Nielsen Audio has reportedly set a target timeframe for introducing streaming audio measurement, according to Inside Radio. The launch target is mid-2015. That timeline was put forth at Nielsen’s Audio Advisory Council meeting in Tampa. Continue Reading
After over a year of rumors, hints, announcements, delays, and public wrangles with labels, Google’s YouTube platform has unveiled Music Key, the new music service. The launch is partial, and Music Key is more complicated than expected. Continue Reading
When a global consumer service loses the most popular product in its catalog, it’s pretty bad news on the face of it. The seriousness of Taylor Swift’s much-publicized withdrawal from Spotify is perhaps reflected in the gravity and scope of founder Daniel Ek’s blog response yesterday. But crowd opinion, and thousands of news articles, might add up to good publicity. Spotify itself is uniquely asking Taylor Swift to return, with a “Come back, Taylor!” playlist. Continue Reading
Noncommercial webcasters are often forgotten in the discussion of the current proceeding to set Internet radio sound recording royalties. But, along with the royalties for commercial webcasters, the current Copyright Royalty Board proceeding will also set the rates for noncommercial webcasters. Broadcast attorney and frequent guest contributor David Oxenford explains everything. Continue Reading
Bandcamp has rolled out an artist subscription for all musicians on its platform. CEO Ethan Diamond spoke with The Guardian about the new feature prior to the official announcement at the SF MusicTech Summit. “The whole motivation here is that when you get to a point that you love an artist – when you go from liking them to being a real true fan of theirs – at some point you just want everything they make,” he said. Continue Reading
Rhapsody posted a net loss of $7.97 million in the third quarter, according to the financial results filed by main investor RealNetworks. The streaming platform generated record-high revenue of $44.1 million, up 25% from the previous year’s figures. In the second quarter, Rhapsody’s net loss was about $4.7 million. Continue Reading
SoundHound announced a relaunch of its popular music-recognition app, which the company calls “the most significant visual change to the app.” The design is optimized for iPhone 6 and 6 Plus, and of course is fine in earlier iPhones, and Android phones. We tested the new SoundHound version 6.3 in both environments. Continue Reading