RAIN and Presslaff Interactive are pleased to announce Dialing In: How Do You Find The Data Signal?, an industry survey for professionals in broadcast, online audio, technology, consulting, and agencies. This concise survey is designed to be quick, revealing, and to… Continue Reading
In November, we reported on rumors that Apple Music may have had plans in the works to beef up the role of video in its burgeoning streaming service. Recently, more of the pieces are starting to fall into place, creating a picture of what Apple may have as its immediate vision for video. Continue Reading
Former Univision exec Jack Hobbs is returning to media with the launch of Revolver Podcasts. The podcast network will offer bilingual on-demand audio aimed at a multicultural audience. It has 30 shows on the roster so far and will also have original audio novellas, serialized audio programming, livestreamed music festivals, and branded content initiatives. Continue Reading
Much of the discussion around streaming music positions the medium as a rival to radio. But a new blog post from Nielsen explains how radio professionals could change their thinking to see on-demand streaming as a source of programming intel. Continue Reading
Radionomy announced an addition to its executive team: Erik Portier, formerly of Google and founder of several tech companies. Portier will work in the Radionomy Group HQ in Brussels and is tasked with expanding the European presence of Radionomy-owned ad agency TargetSpot. Continue Reading
Shortly after the launch of Rihanna’s Anti spiked Tidal membership, another of the platform’s artist/owners is experimenting with using it for exclusive access. Kanye West released his new album, The Life of Pablo, on Tidal, but it has had vastly more complicated results. Continue Reading
Spotify has made its first parry in the lawsuit filed against the streaming service by musician and activist David Lowery. According to a newly filed motion, Spotify is seeking to remove the class allegations, calling the case “a fatally flawed candidate” for that status. Continue Reading
The BBC is reportedly planning some major organizational changes, kicking off a potential merger of its radio and TV divisions with sweeping layoffs. Financial considerations are paramount — at the same time, re-organizing around content brands rather than technology platforms could make sense for consumers. Continue Reading
James Cridland’s Future of Radio is a column by the Australia-based radio futurologist. THIS WEEK: Insightful data on hybrid radio, ABC taps its community, and a look at the Radiodays Europe programme. Continue Reading
Line announced that it is shutting down MixRadio. It has opted to close the service after an assessment of its overall performance and the challenges of the streaming economy. Although MixRadio’s operations will be discontinued, the company’s Line Music service will remain in action. Continue Reading
One of the most interesting aspects of the full determination just released by the Copyright Royalty Board (CRB) is the detailed argument put forward by the National Association of Broadcasters (NAB) that radio simulcasts should pay a lower music royalty rate than pureplay webcasting (e.g. Pandora). The copyright judges praised the NAB witness presentations, but ultimately rejected the attempt. Continue Reading
The Copyright Royalty Board (CRB) published its full determination, as expected following the very brief announcement of new webcast royalty rates on December 16. To whatever extent small webcasters cast a hopeful wish that the complete royalty rate decision would offer some sign of a special provision for low-revenue Internet radio, that hope is dashed. Continue Reading