Brief news items and worthy reads from around the web: Slacker Radio prepares for in-car listening; pre-1972 chaos predicted by attorney; Bob Lefsetz rips Billboard’s new hybrid album chart. Continue Reading
Spotify can always be counted on for a data-centric approach to music, and its year-in-review is no exception. Released today, the Year in Music site shared key milestones and top music from 2014. Ed Sheeran was the top-streamed male artist, and Katy Perry was the top female artist. Continue Reading
In the start of a new affiliate marketing initiative, ad-repping firm AdLarge has hired Jessica Sherman as Senior Director, Affiliate Marketing. Sherman spent nearly 11 years at Westwood One, as VP of the News/Talk division. There, she worked to populate networks with affiliates with $14-million in sales volume. Continue Reading
SoundExchange, the performing rights organization that collects and distributes streaming royalties to labels and artists, has released three year-end top-10 and top-20 charts. The Top Streamed Breakout Artists list is based on newness to royalty collection — specifically, qualifying recording artists can not have received SoundExchange royalty payments before September 1, 2013. Continue Reading
Spotify is opening up an option for third-party app developers to sell their creations on mobile app stores. The streaming platform announced that it has removed the distribution restrictions for programs made in the Spotify iOS SDK (software development kit) and Spotify Android SDK. As long as an app meets the Developer Terms of Use, the creators can pursue any avenues they choose for monetizing their Spotify-related programs. Continue Reading
Rhapsody is 13 years old today. To celebrate its 13th anniversary, Rhapsody released some new internal data about the streaming platform’s success to date and its listener highlights for 2014. Over 60% of its audience listens to Rhapsody exclusively on mobile devices. Continue Reading
Russell Simmons recently gave an interview about his All Def Digital venture and about the role of royalties in the current music industry. “All Def Digital, to me, is the place that promotes freedom for artists,” Simmons said. “It’s a place where people can express themselves in ways that the gatekeepers wouldn’t allow in the past.” Continue Reading
adStream is an ad-stalking journal in streaming audio.
In the relentless pursuit of streaming ads, we encounter plenty of “companions.” Companion ads are (usually) banners that accompany audio spots in streams. Tracking the banner impressions is difficult, and companions are secondary to audio advertising which interrupts the stream and captures the listener’s attention. We found an interesting one, with a single purpose. Continue Reading
Beep, a streaming adaptor that turns nearly any speaker system into a WiFi streaming speaker, has reportedly raised $4-million. Beep also added Spotify to its short list of supported music services, joining Pandora. Continue Reading
Broadcast radio competes with pureplay streaming audio in two ways. First, in a platform-vs-platform context, over-the-air is pitched against Internet delivery. Second, radio station webcasts compete for share of advertisers that are building digital campaigns to reach targeted audiences. We reached out to Paul Cramer of Triton digital to dig into data, smart impressions, and programmatic advertising. Continue Reading
Happy Thanksgiving, Black Friday, and Cyber Monday. Oh, and welcome back to work. Feeling exhausted after the long weekend? Or perhaps inspired by work as a refuge from the clamorous holiday season? Either way, Laid Back Radio is a great sonic prescription. Continue Reading
Mobile streaming of radio stations cannot replace digital broadcasting in Australia — that’s the message from Commercial Radio Australia (CRA), which commissioned a whitepaper study from broadcast technology expert Professor Reg Coutts. Continue Reading