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Editor’s Notebook: For the love of jukeboxes

Music jukeboxes have been popular for about 90 years. Online music services and mobile technology have created a “celestial jukebox” that’s available anywhere — an astonishing marvel best appreciated by people over 35 and history students. The modern versions of the jukebox are streamlined to the consumer’s favor in every way — less money, more mobility, bigger selection. But I the attraction is essentially the same as when tabletop jukeboxes were in every New Jersey diner: Music you choose, in new places and times. Continue Reading

Google’s Android Auto: “Look What I Can Do!”

Roger Lanctot is Associate Director of Strategy Analytics, and a thought leader in the connected-car space. He is an influential voice in the field of automotive infotainment systems, and safety, in cars of the present and future. In this article, Roger Lanctot questions whether Google’s Android Auto initiative is ready for primetime. Do Google and Apple suffer from attention deficit disorder? Continue Reading

The Summer of Copyright Part 2: The “Music Bus”

Broadcast law attorney David Oxenford continues his “Summer of Copyright” series with Part 2, covering the second Judiciary Committee hearing of music licensing issues. This extraordinary summary, and identification of key issues, is a must-read. “These are significant issues that affect all of the music industry. And they are issues that are not easily resolved, as many stakeholders have differing and sometimes inconsistent and contradictory positions on these issues.” Continue Reading

Putting Millennials in the Driver’s Seat

According to a Zipcar study released earlier this year, Millennials — that generational segment born after 1980 or so who are adults now — think that having a smartphone is a lot more important than having a car. Meanwhile, only 16% of persons over 35 would rather do without their phone than their car, and 40% of that age group put the car at the top of things they would not want to do without.

This wide discrepancy in the need to own a car has the auto industry back on its heels. It’s a sea change that has implications for all kinds of other business segments as well – including radio. Guest columnist Jennifer Lane proposes an opportunity for radio to engage with Millennials. Continue Reading

Radio’s Brave New World

by James Cridland

James Cridland, U.K.-based radio futurologist, delivered an opening-day speech at Radio Days Johannesburg. He examined the threats radio faces in the digital era, including shifting demographics, reduced time spent, and competition in the car. He also notes radio’s built-in advantages, but ends with a warning against complacency. Continue Reading

Curation: The programming buzzword for 2014 which drives acquisitions

by Brad Hill

Google’s acquisition of Songza is widely regarded as a buy-in of Songza’s unique “Concierge” delivery of personalized music, based on each user’s activity and mood combined with other data signals. The backbone of Songza programming is assembled by a team of 60 music specialists, and their work is supplemented by a Big Data-fed algorithm which refines the output based on the listener’s history of song votes and song skips.

Songza’s formula, and those of other music services, which determine what a listener hears, all fall under the broad term “curation.” All music services that provide some degree of interactivity deploy a curation strategy. The underpinning of that strategy is subject to trend and vogue. How has music curation evolved, and what is the trend this year which is driving acquisitions?
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Editor’s Notebook: Radio, disaster relief, and performance royalties

Inside Radio noted (paywall link here) that a group of Nebraska radio stations has donated $5,000 to the Red Cross for disaster relief after storms ripped through parts of the state. This sort of radio activism on behalf of local communities ties into traditional radio values of locality and community service. More particularly it resonates with recent arguments, in press releases and government hearings, against applying music-licensing performance royalties to broadcast radio. Continue Reading

Mark Mulligan: YouTube, Record Labels, and the New Generation of Retailer Behemoths

Guest column by Mark Mulligan

Mark Mulligan is co-founder of MIDiA Consulting, and has been a digital music analyst for over a decade. In this guest column, he observes how a “new generation of retailer behemoths carves out new territory.” Noting that media companies risk becoming collateral damage in this trend, Mulligan lays some responsibility on record labels, both majors and indies. Original research from MIDiA Consulting offers an indicator of YouTube’s streaming impact. Continue Reading

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Rusty Hodge: Unfairness in T-Mobile’s unmetered music streaming

Rusty Hodge is founder and general manage of SomaFM, one of the most enduring and successful pureplay Internet radio outlets. Started in 2000, SomaFM now operates 20 stations, of which Groove Salad is perhaps the best known. In this guest column, he proposes that T-Mobile’s unmetered music-streaming initiative is unfair to independent online radio stations, possibly violates net neutrality principles, and can be solved. Continue Reading

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Beats Music math: What Spotify and Pandora would be worth

File this under Friday Fun. Apple will pay $3-billion for all of Beats (the electronics and music-service divisions) when the deal closes later this year. Source reveal that the Beats Music portion of the merger is accounted at $500-million. Yielding to temptation, we ran the numbers and hereby propose (not with an entirely straight face) some stratospheric prices. Continue Reading