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Could the Taylor Swift publicity be good for Spotify?

When a global consumer service loses the most popular product in its catalog, it’s pretty bad news on the face of it. The seriousness of Taylor Swift’s much-publicized withdrawal from Spotify is perhaps reflected in the gravity and scope of founder Daniel Ek’s blog response yesterday. But crowd opinion, and thousands of news articles, might add up to good publicity. Spotify itself is uniquely asking Taylor Swift to return, with a “Come back, Taylor!” playlist. Continue Reading

David Oxenford: Noncommercial Webcasters Royalty Rate Proposals for 2016-2020

Noncommercial webcasters are often forgotten in the discussion of the current proceeding to set Internet radio sound recording royalties. But, along with the royalties for commercial webcasters, the current Copyright Royalty Board proceeding will also set the rates for noncommercial webcasters. Broadcast attorney and frequent guest contributor David Oxenford explains everything. Continue Reading

Edison Research: Share of ear in the car

Edison Research released a new piece of its landmark Share of Ear research, a large-scale survey first introduced in June. The latest component is an infographic detailing the percentage of listening to audio sources in the car. Share of Ear respondents indicate that AM/FM listening still dominates in the car, followed by satellite radio. Continue Reading

adStream: Grand Marnier “mixes” with SoundHound in original branding campaign

Music-ID app SoundHound has created an intriguing brand integration with Grand Marnier, in which the DNA of certain songs is revealed — samples, remixes, and covers, mainly. The campaign is called “The DNA of Music,” and we spotted it surrounding a Kelly Clarkson song ID’d in SoundHound. We talked to Cheryl Lucanegro, VP of Sales at SoundHound, to get the back story of this campaign. Continue Reading

Rdio contributed most of Cumulus annual growth in digital ad revenue (earnings call recap)

Radio group Cumulus Media and online music service Rdio forged their partnership last September, so yesterday’s earnings call from publicly traded Cumulus could be approached as a one-year anniversary of the terrestrial/online hook-up. In year-over-year growth in ad revenue, digital led the way, and Rdio led digital. Continue Reading

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iHeartMedia proposes reducing webcast royalty rates by 80%

by Brad Hill

iHeartMedia has proposed reducing the royalty rate webcasters pay to artists and labels, cutting the existing rate set for terrestrial webcasters by 80 percent. The suggested royalty amount is less than half of Pandora’s suggested rate, which in turn is about half the rate suggested by SoundExchange, which represents music labels. iHeart’s argument is based on its negotiated deal with Warner Music Group, which provides lower royalty rates in exchange for greater exposure of Warner music. Continue Reading