BMI breaks royalty collection record; cable and satellite lead all sources

Broadcast Music, Inc. (BMI), a performing rights organization that collects and distributes music royalties on behalf of publishers and composers, announced record-breaking revenue and distribution for the fiscal year ended June 30. Revenue totaled $977-million, and royalty distributions were accounted at $840-million. Continue Reading

Apple/U2 follow-up: blurring the meaning of ownership

Four days after our initial coverage of Apple’s forced distribution of U2’s new album, the controversy continues to swirl. A good deal of media punditry has concluded that the marketing gambit, in which Apple put the band’s new album, Songs of Innocence, into the music collections across the iOS mobile landscape, was an outright failure. But 33-million people listened to the album, making the experiment a large success. Continue Reading

Local broadcaster’s geo-fencing lawsuit recommended for dismissal

A Virginia magistrate recommended dismissing the lawsuit filed by VerStandig Broadcasting against SoundExchange. Magistrate Judge Joel Hoppe suggested the dismissal due to a lack of controversy between the two parties, according to Radio World. VerStandig filed a suit against the royalty collector on claims that its use of geo-fencing should exempt it from needing to pay copyright royalties. The broadcaster claimed that it could use this technology to cap streaming content within 150 miles of its transmitter. Continue Reading

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The “Me” Generation: Why Music Curation Isn’t the Answer

This guest column was contributed by Mike Spinelli, a third-year law student at Quinnipiac University School of law, where he is studying music transactions and music licensing. He previously worked at SoundExchange. Where does the future lie for music services — human curation of playlists, or data-driven music selection? Continue Reading

Music apps post biggest spike in mobile use, according to new research

Research from Localytics confirmed that mobile is still the rising trend for music services. In the company’s analysis of app usage over the past year, people spent 79% more time in their music programs, which translates to 64 more minutes per month. Compare that with the average increase of 21% for time spent across all apps. The next closest category to music was health and fitness, which posted a 51% rise for time spent in-app. Continue Reading

What do college students listen to? (Spotify Insights)

Spotify introduced its Insights blog earlier this month, and its creative take on data has already been taking the music world by storm. The latest missive delves into the listening habits of college students. Spotify listed the top 40 schools with the highest rates of sign-ups for its student deal last semester, then ranked them by number of song plays. Arizona State University secured the top place on the Most Musical Universities in America list, followed by Auburn University and Brigham Young University in second and third, respectively. Continue Reading

Tidal gets new marketing head, places focus on luxury message

Tidal, the hi-fi streaming service from WiMP slated to arrive soon in the U.S. and UK, has a new head of marketing. Daniel Green assumes the top marketing job, joining Tidal after five years as director of digital strategy at Viacom International. In discussing the new appointment, Tidal CEO Andy Chen highlighted the company’s stance for offering a hi-fi service, noting that Green’s past experience covered the “consumer lifestyle” and “luxury” fields. Continue Reading

Bop.fm links up with four more music platforms, including Pandora

Bop.fm announced the addition of several music services to its agnostic listening platform. Pandora, Xbox Music, Rhapsody, and Napster are now a part of the program. Bop.fm allows its members to share songs across platforms, and to create playlists from music. This makes the Pandora relationship particularly interesting, since it’s a lean-back service. Continue Reading