VerStandig webcast royalty case tossed by judge; argument unresolved in principle

A lawsuit brought by VerStandig Broadcasting in Virginia last May, which sought to limit music royalty payments for its webcasts, has been ejected in a pre-trial dismissal by a federal judge. Judge Michael Urbanski reportedly dismissed the case as too “speculative” and “hypothetical” for trial. Continue Reading

Recruiting from radio: Apple hires Zane Lowe from BBC

Zane Lowe, well known in Britain and around the world for his weeknight music-discovery radio show on the BBC, has taken a position at Apple in Cupertino. When a popular DJ quits his show and moves to one of the world’s leading technology companies, the news can be framed within the human-vs-machine argument which divides streaming music curation Continue Reading

Internet Radio Rewind #030

A weekly podcast from RAIN News

Sponsored by AudioBoom


A six-minute blast of news you need to know in streaming audio.

THIS WEEK: Pandora makes direct licensing deal with Naxos; new survey of ad agencies and streaming audio; streaming now in UK albums chart; Nielsen launches online radio measurement; Rhapsody updates audience metrics; research report on mobile music; TeamRock Radio goes underground — literally. Continue Reading

Pandora closes direct licensing deal with leading classical label Naxos

In another demonstration of “willing buyer, willing seller” deal-making, Pandora has negotiated a direct licensing deal with Naxos, one of the world’s most prolific classical music labels. Before this, Pandora’s most widely publicized private negotiating effort was with the international consortium of independent labels, Merlin. Both deals are important. Continue Reading

Big streaming growth for Finland’s music industry in 2014

Finland’s recorded music market followed the global trend in 2014, with an overall decline partially offset by gains in streaming revenue, according to data from IFPI. The total industry income for the year was €35.9 million, down 14% from 2013. It was the first year where digital properties edged out physical formats, accounting for 51% of the year’s revenue. Money from all streaming services rose 38% from the previous year to €16 million. Continue Reading