This guest column identifies a “middling majority” of music creators whose businesses are not thriving in the streaming music services. Mark Mulligan proposes a formula for better monetizing a band’s relationship with listeners and fans — and offers a worksheet of the model for artists to work with. Continue Reading
BIA Kelsey released its annual Local Media Forecast for 2015, moving its publication timing to the fall “to align with the annual strategic planning season.” The report breaks out predicted spending growth and decline for a few broad categories, and forecasts the overall local ad-spending market to 2019. Continue Reading
Last week we covered AudioHQ’s launch as a new audio ad network, partnering with 8tracks as a music-service partner. CEO Matt Cutair told us that his company seeks to facilitate a “middle market” between high-end premium sales and programmatic buying. To follow up on the content side, we spoke to David Porter, founder and CEO of 8tracks. Continue Reading
Radio (terrestrial or online) is best when delivering a rich-discovery stream of music that repeatedly makes you say, “Who is that?” and “I’ve got to hear more of that band.” When those revelations happen with nearly every song, you know you’ve found something special, and that was our experience with La Noche del Hombre Lobo. (Night of the Werewolf.) Continue Reading
Brief news items and worthy reads from around the Internet. TODAY: Who buys CDs? Sirius XM mulling more out-of-car options. Debate continues over uniform global album-release day. Continue Reading
Apple’s free and forced distribution of U2’s new album is the gift that keeps on giving. The epic pushback by Apple users has turned the incident into a meme with hilarious side effects. Click through for a few minutes of Friday fun — Apple’s imaginary damage control solution from Conan O’Brien. Continue Reading
THIS WEEK: RAIN Summit Indy awards. Clear Channel becomes iHeartMedia. The epic Apple/U2 saga. BMI reports revenues. A broadcaster lawsuit. Podcasting is more important than you think … and is still getting sued. A new audio ad network. Continue Reading
Broadcast Music, Inc. (BMI), a performing rights organization that collects and distributes music royalties on behalf of publishers and composers, announced record-breaking revenue and distribution for the fiscal year ended June 30. Revenue totaled $977-million, and royalty distributions were accounted at $840-million. Continue Reading
Four days after our initial coverage of Apple’s forced distribution of U2’s new album, the controversy continues to swirl. A good deal of media punditry has concluded that the marketing gambit, in which Apple put the band’s new album, Songs of Innocence, into the music collections across the iOS mobile landscape, was an outright failure. But 33-million people listened to the album, making the experiment a large success. Continue Reading
A Virginia magistrate recommended dismissing the lawsuit filed by VerStandig Broadcasting against SoundExchange. Magistrate Judge Joel Hoppe suggested the dismissal due to a lack of controversy between the two parties, according to Radio World. VerStandig filed a suit against the royalty collector on claims that its use of geo-fencing should exempt it from needing to pay copyright royalties. The broadcaster claimed that it could use this technology to cap streaming content within 150 miles of its transmitter. Continue Reading
Clip Interactive, a mobile platform for radio stations, released a slew of announcements of new partners and increased revenue for existing partners. We took the opportunity to speak with CEO Michael Lawless about the product and its recent news. Continue Reading
This guest column was contributed by Mike Spinelli, a third-year law student at Quinnipiac University School of law, where he is studying music transactions and music licensing. He previously worked at SoundExchange. Where does the future lie for music services — human curation of playlists, or data-driven music selection? Continue Reading