Kevin Brown is departing Spotify, where he is head of artist and label services UK and international, at the end of the year. He first joined Spotify in 2013 and is one of the most senior industry-facing leaders at the company. During his tenure, Brown helped improve relationships between the company and artists. Continue Reading
Pandora has hired a new chief marketing officer. Aimée Lapic will step into the role beginning December 13. Lapic will spearhead digital, social, and mobile marketing initiatives for the online audio company, in addition to leading consumer brand strategy, market positioning, performance-based marketing, and partnership marketing for Pandora. Continue Reading
The BBC has rolled out its first full voice app, creating Amazon Alexa skills for all of its radio stations and podcasts. The skills include controls such as play, pause, and resume. This move expands the broadcaster’s content available on devices running Amazon’s voice assistant platform. Continue Reading
Nielsen has published a new study into the effectiveness of podcast sponsorships and advertisements. The purpose was to measure “brand lift” across different measures, with a focus on comparing to video pre-roll ad effectiveness. Continue Reading
As Facebook assembled a sizable music team, the expectation was that the social network might apply that expertise to video content. The company does appear to be following that plan, with the addition of 1,000 free audio tracks to the Facebook Sound Collection that can be used as background for videos. Continue Reading
Spotify and Tencent Music Entertainment Group announced that they will acquire minority stakes in each other. Tencent Holdings, which owns a majority stake of Tencent Music Entertainment, is also making a separate investment in Spotify and will own a minority stake. This development hit the rumor mill last week. Continue Reading
Amazon Music Unlimited and the Amazon Echo have rolled out into 28 new countries. The on-demand streaming subscription service debuted in the United States in October 2016, and Amazon made voice controls and smart speaker access central components of using the music platform. It even offers tiered pricing for people who are part of its Prime program and who own an Echo device. Continue Reading
YouTube is throwing its hat into the music subscription ring one more time. Bloomberg reported that the video platform is planning to launch a paid music subscription in March 2018. Internally dubbed Remix, the platform would reportedly offer on-demand streaming and elements from YouTube such as video clips. Continue Reading
Bridge Ratings has published its recap of 2017, drawing several broad trends in the music and audio industry. The company’s wrap-up said that the number of streams in 2017 increased 40% over the total for 2016. It also offered insights on programming for on-demand streaming, such as using data about a playlist’s specific audience to encourage more frequent listening and when to ease up on a song that could be over-exposed to today’s highly connected listeners. Continue Reading
Quincy Jones is helping to create a new digital hub for jazz enthusiasts. Qwest TV is an online library for video content across the genre. The subscription site is slated to go live on December 15. Continue Reading
Deezer is making its debut in Japan. The streaming service is rolling out its Hi-Fi tier, which offers high-resolution, CD-quality audio files to listeners, beginning December 8. The subscription will cost 1,960 yen ($17) a month. Continue Reading
In the past few years, as streaming services grew to hold larger shares of music industry revenue and consumer listening hours, the key drivers have been mainstream genres. Pop and hip-hop usually feature in the lists of top performers. This week, we’ve collected several developments focused on classical music in the streaming space. Continue Reading