AudioBoom teamed with Edison Research for an investigation into podcast listening. The purpose is to uncover audience characteristics that could be useful to podcast advertisers. At the same time, the survey results have interesting points that reveal types of podcast listener. Continue Reading
Edison Research released its latest Share of Ear data for Canada. The average daily audio consumption in Canada is 4 hours and 14 minutes. Broadcast radio holds a 61% share of all Canadian listening, followed by owned music collections at 16%. Continue Reading
A new survey from AdWeek measures youth attachment to YouTube in a more dramatic light: 50% of Gen-Z respondents (from a survey field of 1,500) said they “could not live without” YouTube. Nearly all respondents (95%) use YouTube to some extent. Gen-Z’ers are just starting to emerge into the adult marketplace, unfamiliar with non-digital life and paying for daily media content. Continue Reading
In the first few months of every new year, trade bodies from all corners of the globe reflect on their successes of the previous 12 months. Those analyses offer a snapshot of the music industry and the trends that cross national borders. For 2016, the results generally reflected a continued increase to the share of revenue delivered by streaming. Continue Reading
Nielsen has published a Music 360 report for Canada, revealing growth in streaming as a listening platform. Time spent listening to music via streaming rose from 20% in 2016 to 26% in 2017. Continue Reading
Webcast listening in February spiked upward by eight percent compared to the previous month, according to Triton Digital’s Webcast Metrics monthly Top 20 Ranker, released today. Year-over-year listening to streams gained 12%. Click through for long-term trendlines. Continue Reading
Bridge Ratings has released new survey info about podcast discovery for listeners, and best practices for creators. Based on its latest data, from Jan. 23-Apr. 10, the rate of audio consumers who had ever listened to a podcast was 43%, up from 30% in the 2016 survey and 26% in the 2015 survey. Continue Reading
The IFPI published its annual global music report reflecting on the industry’s 2016 performance. Global revenue increased 5.9% to $15.7 billion. Digital revenue rose 17.8% to $7.8 billion, enough that it now has a 50% share of the global music industry’s total. “If the digital market continues to grow, so too will the overall level of remuneration to artists, as will the levels of overall investment required to create new music whilst helping to drive digital innovation,” IFPI CEO Frances Moore said. Continue Reading
Edison Research produced its Podcast Consumer 2017 webinar today, revealing survey information from Edison’s two large, long-running studies of American listening, The Infinite Dial and Share of Ear. Edison VP Tom Webster presented over 30 minutes of survey statistics. Continue Reading
The British Phonographic Industry reported that the UK music industry saw 5.1% revenue growth in 2016. The year’s performance of £926 million in trade income marks a five-year high. Following the trends we’ve seen for 2016 across many countries, the UK results stemmed from a 61% increase to streaming revenues. Continue Reading
IFPI Sweden reported that the nation’s music revenue reached 1.1 billion kronor ($121.9 million) in 2016, up 6.2%. Sweden, home of Spotify, has been a leading country in adoption of streaming, and last year’s results are no exception. Audio streaming secured an 82.3% share of the music industry sales, edging up 8% from its 2015 share. Continue Reading
Denmark’s music industry increased its total revenue 9% to 494 million kroner ($70.8 million) in 2016. IFPI Denmark found that streaming accounts for the lion’s share of that revenue at 392 million kroner ($56.2 million) and a 79.4% market share. Continue Reading