adStream is a journal of ad-spottings in online music services that highlight how commercials (audio and visual) can be an integrated part of the online listening experience.
We noted that the McDonalds “Think With Your Mouth” campaign for Big Mac sandwiches won an award at Cannes Lions this year, and we have been spotting the digital placements in streaming music services, including iHeartRadio. Continue Reading
RAIN Summit Indy announces that Eric Bieschke, Chief Scientist at Pandora who leads one of the most significant Big Data operations in digital music, will be a speaker.
Eric Bieschke joined Pandora as its second employee in 2000. He will bring his unique depth of experience and preeminent reputation as a data guru to RAIN Summit Indy on September 9 at the Indiana Convention Center. Continue Reading
In our latest RAIN Poll, we surveyed readers with a single Yes-or-No question: Would you pay for a YouTube music service? Such a service is on the way, reportedly later this summer, offering ad-free listening/watching on some kind of YouTube-ish platform. The result of our informal poll was definite: NO. Eighty-three percent or respondents declared a negative vote on this question; 17% said they would pay. Click through to read selected comments. Continue Reading
Amazon said Happy Monday to the world this morning with a press release that cheered a successful first week for Prime Music. Particulars were in short supply, but Amazon says that uptake of the new streaming music service exceeded expectations, with users accessing tens of millions of songs. Continue Reading
Last week Vadio, a video-technology platform, announced a partnership with Vevo, a music video portal. The deal gives Vadio access to Vevo videos, for inclusion in curated video streams that Vadio synchs up with radio station webcasts. Vevo embodies a catalog of 100,000 high-quality song videos, concert events, and original programming. The alliance allows Vadio to enhance its existing repertoire of videos from which it curates programming for radio stations and other clients. We talked to Vadio CEO Bryce Clemmer to get more context. Continue Reading
Back in February we reported that the U.K. top-40 music chart would soon incorporate online streams into its analysis of song rankings. The U.K.’s top-40 list, compiled by the Official Charts Company, will be informed by data from Spotify, Deezer, Napster (Rhapsody’s non-U.S. music-service brand), Xbox Music, Music Unlimited, and Rara, starting with the list published on Sunday, July 6. Continue Reading
Brief news items and worthwhile reads from around the web: T-Mobile: Uncarrier or Unhelpful? … Audio is Expanding the Internet … Lefsetz on Amazon Prime Music Continue Reading
The five most-read articles this week. The Summer of Copyright … YouTube ready to block indie labels as it prepares its new service … Edison Research’s new “Share of Ear” study … Google and 8tracks … iHeartRadio’s new 5.0 version of its app. Continue Reading
Amazon released its much-awaited Fire phone this week, stepping into competitive waters with Apple and Google on the hardware side. At the same time, Amazon is stabbing into the music-identification space dominated by Shazam and SoundHound, each of which gives users quick song recognition and the ability to store “finds” in partner music services like Rdio and Spotify. Amazon’s most remarkable Fire phone feature is Firefly, which identifies music and much more. Continue Reading
Rusty Hodge is founder and general manage of SomaFM, one of the most enduring and successful pureplay Internet radio outlets. Started in 2000, SomaFM now operates 20 stations, of which Groove Salad is perhaps the best known. In this guest column, he proposes that T-Mobile’s unmetered music-streaming initiative is unfair to independent online radio stations, possibly violates net neutrality principles, and can be solved. Continue Reading
Less than a week ago, interactive music service Earbits announced its sudden closure. Details were scant, but lack of funding seemed to be the problem, when CEO Joey Flores said, “We bit off more than we could chew.” Today, Flores sent a celebratory note to registered users announcing that a heroic (and unnamed) investor had stepped in to revive the service, which had been dark for five days. Continue Reading
SoundExchange released the first edition of a new quarterly royalty breakdown called Digital Radio Report — an animated infographic that promotes SoundExchange’s contribution to the economy of streaming music (plus comedy), and reveals general music-licensing information to demystify how royalties work. Continue Reading