Radionomy announced a new version of RadioManager, its software for producers who manage Internet stations on the Radionomy platform. New features of the upgrade include greater control of commercial placement and workflow automation for payment to producers. Importantly related to income, the new workstation opens monetization of audiences in Spain and Germany. Continue Reading
It’s Advertising Week in New York this week. Jennifer Lane was there, and attended a panel sponsored by XAPP Media featuring a discussion of online audio ad campaigns. Bryan Moffett of NPR, Brian Benedik of Spotify, and Cathy Csukas of AdLarge talked about the push to offer innovative opportunities to advertisers. Continue Reading
In a wide-ranging conversation with Digitally Imported executives,, RAIN learned that the leading Electronic Music online radio outlet is planning an ambitious evolution of the service. The new Digitally Imported, details of which will be divulged later this month, will position itself as a complete music consumption platform for EDM and other sub-genres of electronic music, combining music discovery and buying functions in a way that founder Ari Shohat describes as “integrated in unique, special ways.” Continue Reading
adStream is a journal of ad-stalking and interesting commercial sightings in online audio services. It had been a while since we had turned our ad-stalking attention to Slacker Radio. We wanted to see whether Slacker deployed a similar full-court press as Pandora, which frequently covers our phone screen with a graphic ad that must be manually closed to see what’s playing. Continue Reading
Once a pioneer, subscription music-download site eMusic is striking out afresh with news of a change its music catalog to focus on indie labels and artists. The service will discontinue major-label recordings. In doing so, eMusic circles back to its roots as a champion of indie music, and of users who dig deeper than the hit charts. Continue Reading
In March we covered the first ruling in a years-long court case against Michael Robertson, founder of MP3Tunes.com. The verdict went badly for Robertson, who faced a bill for $48-million in damages and punitive compensation. Now the presiding judge has reduced the punitive component of the verdict to one-tenth of its original size — from $7.5-million to $750,000. Continue Reading
audioBoom (formerly audioBoo) has re-launched on a new domain and with new branding. At the same time, the company rolled out a renovated iOS iPhone/iPod app that overhauls the previous version’s navigation and features. Continue Reading
Monday distraction: Paul Lamere, Director of Development Platform at The Echo Nest, which is owned by Spotify, has created an entertaining hack that anyone can try — Where Is the Drama? The idea is to use waveform analysis to identify a song’s climactic section. The experiment is fun, if nothing else. Read how Lamere accomplished this hack, and where you can test it. Continue Reading
In 2001, British station manager Richard Cowell crossed the digital divide to launch Music One, a top-40 Internet station. He gradually shifted the programming to dance music and saw the audience grow in support of that format. These days, Music One plays a foot-bouncing mix of EDM and dance pop. Continue Reading
Apple’s forced distribution of U2’s new album, Songs of Innocence, is widely regarded as a public relations catastrophe that damaged both brands. We asked RAIN readers what they thought about free music landing in their devices. Welcomed gift, or abhorred gaffe? The results are fairly definitive. Continue Reading
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An eight-minute blast of news you need to know in streaming music and online audio. This week: RIAA, Shazam, Apple, U2, copyright ruling, Beats Music, WBUR, Google Glass. Continue Reading
Brief news items and worthy reads from around the web: Classic rock’s high prices and good exposure from ads; Pandora CFO on repairing licensing relationships; Wonder.fm offers SoundCloud hit discovery. Continue Reading