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David Oxenford: CRB Set to Begin 3 New Royalty Proceedings – Mechanical Royalty, Sirius XM Satellite Royalty, and Noncommercial Broadcasting Over-the-Air Royalties

by David Oxenford

In tomorrow’s Federal Register, the Copyright Royalty Board will announce the commencement of three new proceedings to set music royalties for the 2018-2022 five-year period, each involving a different music right. Continue Reading

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2016 Predictions: Industry thought-leaders peer into the new year for online audio

Happy New Year!
In last year’s edition of RAIN’s annual predictions, we wrote: “2015 will be an eventful year for all stakeholders in online audio.” It was. This year will carry forward the audio industry’s reputation for disruptive change. RAIN News is pleased to present predictions from 23 thought-leading guest futurists Continue Reading

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Observations and Analysis of the CRB Webcaster Rates

by Angus MacDonald

Intellectual property attorney Angus MacDonald was the first to calculate that Pandora paid more than half of all SoundExchange collections of royalties to record labels. At that time he spoke of implications for the Webcasting IV process which ended this week with new webcaster rates for 2016. We asked MacDonald for his thoughts about the ruling, and he sent us his analysis. Continue Reading

James Cridland’s Weekly Links: Scrap your debrief, do it yourself, and an Ed Sheeran peep show

by James Cridland

James Cridland Weekly Links is a column by the U.K.’s radio futurologist. THIS WEEK: An article on why programme debriefs may not be useful. Ed Sheeran’s amusing peep show stunt. Plus the BBC, NextRadio, recommendations, and more. Continue Reading

James Cridland’s Weekly Links: Search engines, DAB+ in Australia, WRC-15, more.

by James Cridland

James Cridland Weekly Links is a column by the U.K.’s radio futurologist. THIS WEEK: Positive responses to the European Broadcasting Union’s WRC-15 decision; digital radio uptake data for Australia and the UK; several reads on the BBC; much more. Continue Reading

David Oxenford: Adele’s New Record is Not on Online Streaming Services – Except Where It Is – The Difference Between Interactive and Noninteractive Streaming

by David Oxenford

Broadcast law attorney and guest columnist David Oxenford explains the difference between interactive and non-interactive music services in the context of Adele’s new album release, which is withheld from on-demand listening platforms like Rhapsody and Spotify. Continue Reading