Back in February we reported that the U.K. top-40 music chart would soon incorporate online streams into its analysis of song rankings. The U.K.’s top-40 list, compiled by the Official Charts Company, will be informed by data from Spotify, Deezer, Napster (Rhapsody’s non-U.S. music-service brand), Xbox Music, Music Unlimited, and Rara, starting with the list published on Sunday, July 6. Continue Reading
Brief news items and worthwhile reads from around the web: T-Mobile: Uncarrier or Unhelpful? … Audio is Expanding the Internet … Lefsetz on Amazon Prime Music Continue Reading
The five most-read articles this week. The Summer of Copyright … YouTube ready to block indie labels as it prepares its new service … Edison Research’s new “Share of Ear” study … Google and 8tracks … iHeartRadio’s new 5.0 version of its app. Continue Reading
Amazon released its much-awaited Fire phone this week, stepping into competitive waters with Apple and Google on the hardware side. At the same time, Amazon is stabbing into the music-identification space dominated by Shazam and SoundHound, each of which gives users quick song recognition and the ability to store “finds” in partner music services like Rdio and Spotify. Amazon’s most remarkable Fire phone feature is Firefly, which identifies music and much more. Continue Reading
Rusty Hodge is founder and general manage of SomaFM, one of the most enduring and successful pureplay Internet radio outlets. Started in 2000, SomaFM now operates 20 stations, of which Groove Salad is perhaps the best known. In this guest column, he proposes that T-Mobile’s unmetered music-streaming initiative is unfair to independent online radio stations, possibly violates net neutrality principles, and can be solved. Continue Reading
Less than a week ago, interactive music service Earbits announced its sudden closure. Details were scant, but lack of funding seemed to be the problem, when CEO Joey Flores said, “We bit off more than we could chew.” Today, Flores sent a celebratory note to registered users announcing that a heroic (and unnamed) investor had stepped in to revive the service, which had been dark for five days. Continue Reading
SoundExchange released the first edition of a new quarterly royalty breakdown called Digital Radio Report — an animated infographic that promotes SoundExchange’s contribution to the economy of streaming music (plus comedy), and reveals general music-licensing information to demystify how royalties work. Continue Reading
Would you pay for a YouTube music service? That’s a choice YouTube users will have by the end of the summer, according to recent reports.
It’s an unusual value proposition, because YouTube is already the most popular music-listening (and watching) platform in the world, with over a billion users. We don’t know many details about the new subscription service Google will roll out for YouTube, but we know it will be ad-free.
Vote your choice, and leave a comment! Selected comments will be published with poll results. Continue Reading
Wireless company T-Mobile announced a change to its cell-phone service plans that potentially impacts how consumers choose their telecom providers, music services, and even cars. Called Music Freedom, it affords unlimited music streaming for “major” music services, regardless of the plan’s data cap. A related deal with Rhapsody sweetens the package. In an era when paying for data can be more burdensome than paying for music, this initiative could turn some heads. Continue Reading
In its most important structural change in years, and a meaningful expansion of its business model, on-demand music service Rhapsody has announced unRadio, and added the new listening experience to all its apps. At the same time, Rhapsody is starting a partnership with T-Mobile, wherein unRadio is available free of charge to T-Mobile wireless cell-phone customers.
As a stand-alone service, whether through T-Mobile or not, unRadio shrewdly combines lean-back listening, similar to Pandora, with on-demand interactivity, similar to Spotify and Rhapsody’s own Premier plan. Rhapsody is effectively straddling the gulf between free listening supported by advertising, and the full interactivity of a celestial music jukebox. It could hit a sweet spot for some music-lovers. Continue Reading
We are pleased to announce that we now offer job listings on the site. RAIN News reaches a concentrated audience of industry professionals in Internet radio, broadcast, and vendors to both industries, plus a more general readership of industry observers. A recent reader survey revealed that over 70% of respondents visit RAIN News at least once a week. Over 70% characterized RAIN News as “the leading industry publication for online audio.” Continue Reading
Edison Research has released a summary of what it characterizes as a “groundbreaking” study of what American adults and teens listen to. Called Share of Ear, it is a new research franchise for Edison, which earlier this year released the 22nd edition of its annual The Infinite Dial study.
All told, the study reveals that Americans listen to just over four hours of audio per day. AM/FM radio accounts for 52.1% of those four hours each day. Internet music listening gets 11.6% of the “Ear.” Owned music, which represents non-streamed and non-broadcast listening, takes 20.3% of listening in the study. Continue Reading