copyright

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Pandora explains music licensing strategy in a public conference call

Posted on by Brad Hill

In a brisk 51-minute conference call with investors yesterday, Pandora described its strategy in the Copyright Royalty Board (CRB) proceeding, explained why it thinks music licensing costs (to labels) should be lower, and fielded questions about the company’s key partnership with Merlin labels. Although Pandora executives often speak at investor conferences, and conduct quarterly earnings calls, the single-topic focus of yesterday’s call was unusual. Continue Reading →

Pandora to discuss music licensing in public conference call

Posted on by Brad Hill

Tomorrow, Pandora will discuss the eventful and controversial topic of music licensing in a public conference call with investors. Anyone can dial in. The call comes after webcasters filed their royalty-rate arguments to the Copyright Royalty Board, in which Pandora proposed royalty rates to labels and artists lower than present rates, and about half the amount suggested by SoundExchange in its brief. Continue Reading →

Sirius XM gets another pre-1972 setback, N.Y. judge rules against request for summary dismissal

Posted on by RAIN News Staff

A New York judge ruled against Sirius XM’s motion for a summary judgment in a lawsuit filed by the Turtles. The band is seeking $100 million in damages for the satellite radio’s playing its songs from before 1972, when federal copyright laws took effect. It is the latest in a series of state court decisions that challenge a loophole in federal music licensing regulations. Continue Reading →

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YouTube Music Key already has enemies: Azoff questions service’s songwriter royalty rates

Posted on by Anna Washenko

The launch of YouTube Music Key is an exciting development for the streaming music sector, but it the new service already has a very vocal and powerful detractor. Irving Azoff, a music industry veteran and leader of the recent Global Music Rights venture, told The Hollywood Reporter that he is prepared to remove the works by 42 of his clients from YouTube. The threatened move could see about 20,000 copyrighted works taken away from the fledgling service, as well as from the original YouTube video platform. Continue Reading →

David Oxenford: Noncommercial Webcasters Royalty Rate Proposals for 2016-2020

Posted on by Brad Hill

Noncommercial webcasters are often forgotten in the discussion of the current proceeding to set Internet radio sound recording royalties. But, along with the royalties for commercial webcasters, the current Copyright Royalty Board proceeding will also set the rates for noncommercial webcasters. Broadcast attorney and frequent guest contributor David Oxenford explains everything. Continue Reading →

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iHeartMedia proposes reducing webcast royalty rates by 80%

Posted on by Brad Hill

by Brad Hill

iHeartMedia has proposed reducing the royalty rate webcasters pay to artists and labels, cutting the existing rate set for terrestrial webcasters by 80 percent. The suggested royalty amount is less than half of Pandora’s suggested rate, which in turn is about half the rate suggested by SoundExchange, which represents music labels. iHeart’s argument is based on its negotiated deal with Warner Music Group, which provides lower royalty rates in exchange for greater exposure of Warner music. Continue Reading →

Universal prepares for ongoing legal licensing fights, hires performing rights special advisor

Posted on by Anna Washenko

Universal Music Publishing Group announced that it has hired a special advisor on performing rights. The new post will be filled by Richard Conlon, who will advise the publisher on matters tied to advocating, protecting, and maximizing the value of performing rights for its songwriters. Conlon led the label’s digital new media licensing divisions as a former senior vice president at BMI. Continue Reading →

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Azoff PRO challenges ASCAP/BMI, seeks better rates for songwriters

Posted on by Anna Washenko

Copyright has been the hot-button topic of this year, and the role of performing rights organizations has been a central topic of debate. While some of the top publishers like Sony and Universal Music Group are looking for a chance to break from the outside management of their compositions by ASCAP and BMI, the top two PROs embroiled in consent decree rules, there is still some opportunity for shuffling within that business and legal infrastructure. Continue Reading →

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Webcast Rate Proposals Now Public for 2016-2020; What Will the Copyright Royalty Board Consider?

Posted on by Brad Hill

by David Oxenford

As webcasters have submitted their royalty-rate arguments to the Copyright Royalty Board, the fight for favorable music licensing rates shifts into high gear. Broadcast law attorney Davide Oxenford takes stock of key points in the submitted briefs, clearly summarizing complex considerations. Continue Reading →

Pandora announces new general counsel

Posted on by Anna Washenko

Pandora has appointed Steve Bené as its new general counsel. Bené joins the online radio service from Electronic Arts, where he held the same position and worked on negotiations with music and movie studios. In his role at Pandora, Bené will be a member of the company’s executive leadership team and will oversee all legal operations. Continue Reading →

Sirius XM loses second pre-1972 court judgment

Posted on by Anna Washenko

The judicial trend in cases about the copyright pre-1972 recordings has swung decidedly in the favor of artists. In August, Judge Mary Strobel issued a tentative ruling in support of Sirius XM in its legal defense against major record labels. However, on Tuesday she ruled in favor of the plaintiffs, securing compensation for the labels for the public performance of pre-1972 recordings. Continue Reading →