Broadcast law attorney David Oxenford writes about the Department of Justice review of ‘consent decress,’ which govern how ASCAP and BMI operate. “All music services need to watch and stay involved as this process develops,” Oxenford advises. “There are obviously important and complicated issues that will be considered in this review.” Continue Reading
Google has started testing a new form of advertising that gives listeners a direct link to a streaming service. The Wall Street Journal reported that the music services are paying for the pots by the click, similar to Google’s other paid text link ads. “We’re happy to help users quickly find legitimate sources for their favorite movies, music and more via Google search,” an unnamed Google rep told WSJ. Continue Reading
Brief news items and worthy reads from around the web: Bop.fm’s tour info; Grooveshark’s new partnership; Twitch’s copyright debate. Continue Reading
BMI submitted a statement to the Department of Justice earlier this week with its proposed changes to the consent decree rules that govern collective licensing. The group’s main argument was that music publishers should be allowed to chose which rights they negotiate through the performing rights organizations. ASCAP echoed BMI’s sentiments in its own filing on Thursday. Continue Reading
Ofcom, the UK communications regulator, released a new market report that included data on Brits’ radio listening habits. The report found that live radio broadcasts accounted for the majority of most adults’ total listening time, but the figures were drastically different for the 16 to 24-year-old age bracket. Continue Reading
RAIN News founding editor Kurt Hanson today received the inaugural “Radio’s Most Innovative” award from Jacobs Media, which plans to celebrate many honorees on a series of “Innovation Fridays.” The award bestowal features an interview with Kurt, including his highly researched analysis and asssessment of different pizza types. Continue Reading
RealNetworks included some insights into the money situation at Rhapsody in the SEC filing for its second-quarter financial results. For the period, Rhapsody posted revenue of about $42.4 million, up from about $35.7 million in the second quarter of 2013. Despite the healthy jump in revenue, the service is still operating at a loss. Continue Reading
Brief news items and worthy reads from around the web: Behind Spotify’s algorithms; music royalties cheat sheet; Internet radio company Reciva snapped up Continue Reading
A new poll from Harris Interactive detailed the knowledge and preferences of prospective vehicle buyers about connected cars. Among those who were at least somewhat interested in owning a connected vehicle, 65 percent said they would prefer to have a built-in system. That’s good news for the projects currently in the works at the tech leaders, such as Apple’s CarPlay and Google’s Android Auto, because they’ll have a leg up in buyer interest. Continue Reading
Uprise.fm is a forthcoming streaming site that aims to make rare, unique, and live recordings available in the digital space. The project, scheduled for launch in the U.S. and Canada in 2015, recently signed on Daniel Lanois as its creative director and chief music curator. Continue Reading
All Def Digital, the cross-platform network spearheaded by Russell Simmons, secured $5 million in Series A financing. The funding will support the network’s growth, original programming, and initiatives for artist and talent development. This multimedia resource for the hip-hop community has also forged interesting ties to streaming music. Continue Reading
“The once-ubiquitous FM radio is today primarily enjoyed in the car, where a growing variety of audio consumption occurs. But stored and streamed content on mobile devices is steadily marginalizing the broadcast portion of in-car listening, sucking the audience lifeblood out of the medium.” Connected-car analyst Roger Lanctot contributes this guest column that examines how Sprint is handling its NextRadio implementation of FM in smartphones. Continue Reading