20

Apple pitches flat rate for on-demand songwriter royalties to CRB

Apple has proposed a new royalty structure for streaming music, one that would be simpler but could create a financial pinch for freemium services. In a proposal to the U.S. Copyright Royalty Board, Apple recommended a system where all on-demand streaming services would pay songwriters a statutory rate of 9.1 cents per 100 plays. Continue Reading

9

In the new era of small webcasting, StreamLicensing builds tech to survive

Webcaster host StreamLicensing runs a business model that pays label royalties on behalf of its member stations, funding the business with advertising target to combined audiences. But when that royalty cost dramatically escalated for U.S. webcasting in January, owner Marvin Glass sold to Stardome Media Group and warned the new owners that success would be an uphill climb. We spoke with a Stardome exec about the way forward. Continue Reading

11

CRB ruling goes to Federal Register; appeal window opens for disputing webcast rates

The Copyright Royalty Board (CRB) ruling of new webcast royalty rates to labels was published in the Federal Register yesterday, per process schedule. Now begins a one-month appeal window, during which participants may file litigation which contests the ruling. Who is permitted to appeal, and who is not? Click for details. Continue Reading

26

Radionomy blocks U.S. listening on TuneIn because of CRB rates

RAIN News has learned that Radionomy has pulled its stations from TuneIn’s U.S. listening audience, over the cost of music licensing under the new Copyright Royalty Board (CRB) royalty rates. Radionomy told RAIN News that the company asked TuneIn to geo-block the U.S. from Radionomy streams. It is the latest disruption in the webcast industry coming from CRB rates implemented on January 1. Continue Reading

1

Copyright Royalty Board to NAB: Well done, but no dice

One of the most interesting aspects of the full determination just released by the Copyright Royalty Board (CRB) is the detailed argument put forward by the National Association of Broadcasters (NAB) that radio simulcasts should pay a lower music royalty rate than pureplay webcasting (e.g. Pandora). The copyright judges praised the NAB witness presentations, but ultimately rejected the attempt. Continue Reading

7

CRB full decision released; small webcasters not mentioned

The Copyright Royalty Board (CRB) published its full determination, as expected following the very brief announcement of new webcast royalty rates on December 16. To whatever extent small webcasters cast a hopeful wish that the complete royalty rate decision would offer some sign of a special provision for low-revenue Internet radio, that hope is dashed. Continue Reading

107

Kurt Hanson: “Bloody Sunday” decimates Internet radio

Internet radio’s landscape looks much different today than it did a week ago, due to numerous webcasters pulling the plug rather than paying the high rates of the Copyright Royalty Board’s (CRB) recent decision for 2016-20 royalties for sound recordings. Kurt Hanson surveys the damage. Continue Reading

10

An Open Letter To David Byrne

by Bill Goldsmith

This open letter is from Bill Goldsmith, Founder and Owner of Radio Paradise, one of the most venerable and recognized Internet radio stations. It is an appeal to David Byrne, as a board member of SoundExchange, to renew royalty protections that have enabled small webcasting for the past six years. Continue Reading