The National Music Publishers Association is circulating a petition among songwriters to gather support for its case with the Copyright Royalty Board. The CRB will decide on a royalty rate for interactive music streams over the 2018-2022 period over the course of this year, hearing proposals from all sides of the music industry. Continue Reading
This week, songwriters, composers, and publishers will begin lobbying the Copyright Royalty Board for larger royalty fees from streaming services. The hearing for songwriters and their professional organizations is set to start today. The CRB will be reviewing proposals from several parties as it works to determine the royalty rates paid for interactive streams over the 2018-2022 period. Continue Reading
Almost exactly one year after Live365 went dark, sending thousands of small webcasters scrambling for new platforms or giving up their stations, Live365 is back. Details are scarce, but this is what we know now. Continue Reading
The final week of the year is a good time to reflect on what was, and look forward to what will be. Today, the most-read articles and the #1 story of 2016. In an unprecedented concentration of interest, RAIN News readers drove our coverage of 2016’s most important news event to the top five most-read articles of the year. Continue Reading
The Copyright Royalty Board has said that there will be no cost-of-living increase for the online stream and pureplay rates levied in 2017. Here are the key details about this development. Continue Reading
At RAIN Summit Nashville in September, broadcast law attorney David Oxenford delivered a fast-moving, wide-ranging presentation of webcasting legal issues that are currently important. Click through for full video, and don’t blink! Continue Reading
SoundExchange has filed its royalty rate request to the Copyright Royalty Board (CRB) for satellite radio’s use of music recordings. This is part of the “SDARS III” proceeding, which will set music royalty rates for Sirius XM, taking effect in the 2018-2022 period. Continue Reading
Live365, the internet radio host which catastrophically unplugged its service in January, has resurfaced and is planning to re-open. The re-emergence of a mainstay resource for internet radio stations will come as a shock of good news to small webcasters which have struggled to survive since January, or which have not survived. But the news is full of yet-unanswered questions. Continue Reading
The National Music Publishers Association and the Nashville Songwriters Association International have submitted their proposal for the rates publishers will receive from interactive music services in the 2018-2022 period. The groups’ submission to the Copyright Royalty Board includes a three-part formula for digital licensing rates. Continue Reading
The National Music Publishers Association and the Nashville Songwriters Association International have moved to block Sony Music Entertainment from participating in the new round of Copyright Royalty Board proceedings. After setting webcasting rates for the 2016-2020 period, the CRB will next consider mechanical royalties that will apply to interactive music services for 2018-2022. Continue Reading
Apple has proposed a new royalty structure for streaming music, one that would be simpler but could create a financial pinch for freemium services. In a proposal to the U.S. Copyright Royalty Board, Apple recommended a system where all on-demand streaming services would pay songwriters a statutory rate of 9.1 cents per 100 plays. Continue Reading
When the Copyright Royalty Board set new figures for the 2016-2020 time frame, SoundExchange was vocal in its stance that the $.0017 and $0.0023 rates were too low. Now it is preparing to mount an appeal of that decision, filing a statement to the D.C. Circuit Court of Appeals on May 31. Continue Reading