Shazam has entered a partnership with several broadcasting groups with the goal of creating an audience measurement solution for broadcast and digital audio. The new partners are iHeartMedia, Cumulus, Entercom, Cox and Sun Broadcast Group. Continue Reading
One of the recent developments in pre-1972 copyright protection was a win by video hosting service Vimeo in June, where the court ruled that the company could apply safe harbor provisions to those songs. That appeal ruling is now facing a fresh attack. A2IM, the RIAA, and Concord have filed an amicus brief in support of original plaintiff Capitol Records and requesting that the full New York federal appellate court rehear the case. Continue Reading
Adforce.com has acquired the exclusive right to sell ads for radio stations and podcasts of broadcast group Communicorp. Technology from Triton Digital and XAPPmedia is part of the alliance. Continue Reading
Brief news items and worthy reads from around the web: Crunching the numbers on a Spotify IPO, and Musixmatch adds lyrics translations. Continue Reading
Spotify, which has assertively strengthened and promoted the advertising opportunity of its free-listening service over the past year, today announced the expansion and official launch of programmatic buying across the company’s 59 markets, serving 70-million listeners. Continue Reading
Warner distribution division has shut down several accounts for small retailers of physical music. According to Pitchfork, WEA is enforcing a policy that requires a minimum annual order of $10,000 for stores with direct accounts. Continue Reading
YouTube has released a series of new video ads for its music app. The spots focus on statements of identity, with the tag line: “It’s not just what we listen to. It’s who we are.” Some of them explicitly portray people who are part of groups that have historically faced discrimination or prejudice. Continue Reading
Magnifi, a digital platform for live music discovery, will reportedly close on Aug. 1. The service offered a blend of free audio streaming, listings for live shows, and social interactions. Continue Reading
Germany’s music industry body, BVMI, has released a mid-year report with positive results for streaming. During the first half of 2016, streaming secured a 24.4% share of the German music market, beating out the 14% share for downloads. Continue Reading
Apple Music announced that it is incorporating acoustic fingerprinting into the platform in an update to its technology for accessing cloud-based music libraries. The streaming service had been using traditional metadata to match songs in a local library with the related iCloud Music Library. Continue Reading
Deezer has made its long-awaited full launch in the U.S. The on-demand streaming service’s Premium+ subscription – complete with its Flow personalized soundtrack feature, Channels for discovery, and lyrics display – is now directly available to all U.S. listeners. Continue Reading
Nielsen has released its comparable metrics report for the first quarter of 2016. The data revealed growth for most forms of both radio and streaming, although the rates of increase varied by platform and age. Weekly reach for radio remains unchanged from the previous quarter, with 93% of adults listening each week. Smartphone audio and video posted notable spikes in audience size and time listening. Continue Reading