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How Misunderstandings about Big Numbers Distort the Debate over Songwriter Digital Music Royalties

by David Oxenford

Barely a day goes by without seeing some article about a songwriter whose song was played a million times on a digital music service like Pandora or Spotify, with the artist only receiving a relatively small amount of royalty revenue from that seemingly large number of plays. A number of issues are misunderstood — especially about big numbers. Continue Reading

Larry Rosin: The Little Machines that Built Pandora

by Larry Rosin

Our Infinite Dial studies have been tracking usage of online radio since 1998, and we have asked about ‘monthly usage’ since 2000. In a recent meeting I made the comment that if one superimposes the graph showing growth of smartphone ownership over the monthly online radio usage one can see a strong correlation. Continue Reading

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Another Banner Year for SoundExchange’s Collections, Thanks to Pandora

by Angus MacDonald

Intellectual property attorney Angus MacDonald examines the 2014 royalty collections by SoundExchange, and Pandora’s earnings reports, to determine that Pandora accounts for more than half of all SoundExchange revenues distributed to artists and labels. What does the future look like as the Copyright Royalty Board prepares a ruling of webcaster royalty rates for 2016-2020? Continue Reading

Larry Rosin: Room for Tidal? What’s one more online audio brand?

by Larry Rosin

In The Infinite Dial 2015 Edison Research tested consumer awareness of 17 different streaming audio brands. Tidal wasn’t among them, but the re-launched service is in the news now. Is there room for a newcomer in the crowded music-service field? Continue Reading

Roger Lanctot: Taking the Measure of Car Radio Listening

by Roger Lanctot

Roger Lanctot is Associate Director of Strategy Analytics, and a thought leader in the connected-car space. In this guest article, he notes missing metrics for in-car radio listening. “It’s time for researchers to get behind the wheel and plumb the mysteries of in-vehicle listening.”
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