All about copyright, understanding music licensing, and government regulations.
David Lowery, a former professional musician and now an advocate for artists’ rights, has written to the New York Attorney General Eric T. Schneiderman to seek an investigation into unpaid mechanical royalties. This fall has seen some heated debate about licensing payments in the streaming music economy, particularly for publishers. Continue Reading
ASCAP has added information about the share of public performance rights it controls to its publicly available online ACE Database. According to the press release announcing the update, the database changes will support ASCAP’s request to the Justice Department for its members to have greater choice to withdraw certain digital rights. Continue Reading
Pandora and Sony/ATV have entered into a direct publishing deal, marking a breakthrough marketplace development between one of the biggest streaming companies and a major music publisher. Continue Reading
Global Interactive Media has gone on a tear of lawsuits on charges that several broadcasting companies have violated its patents. That intellectual property covers an “apparatus and method to generate and access broadcast information.” At this stage, it seems possible that the Belize-based company is looking to make money by pushing litigation over patents of questionable validity. But if the patent claims are legitimate, it could mean one more set of royalty payments for many types of audio companies. Continue Reading
YouTube has entered an international deal with AMRA, the U.S.-based collecting society, to collect music royalties in more than 100 markets. The deal could streamline the process of collecting royalties for writers represented by AMRA and its parent company, Kobalt. Continue Reading
CISAC has released data about the global licensing figures it has received through collective licensing in 2014. The group represents creative rights across multiple disciplines including music. Its membership includes performing rights organizations such as ASCAP and BMI. Continue Reading
As rumored, Pandora has settled with the RIAA for use of pre-1972 music through this year and next. Settlement cost is $90-million. This development comes a few months after Sirius XM, likewise a defendant in cases focusing on performance use of oldies, settled with major labels and other litigants through 2017, at a coast of $210-million. Continue Reading
Pandora has filed an appeal against the decision of Judge Louis L. Stanton in the rate-setting case with BMI. The appeal argues that the original trial was “a case study in how a district court should not handle a rate court case.” Continue Reading
Buzz, accusations, and legal jargon are swirling around the echosphere today in the wake of Spotify’s removal of the Victory Records song catalog from its library. Music licensing and royalty payouts in interactive streaming services are complex, sometimes compared to an impenetrable black box. Is there a solution? Continue Reading
Will they or won’t they? After filing a suit against iHeartMedia last week in Illinois only to dismiss it three days later, ABS Entertainment has reopened the case. The company, which represents Arthur and Barbara Sheridan, is seeking royalties for songs recorded prior to 1972. Continue Reading
Late last week, Arthur and Barbara Sheridan’s ABS Entertainment company launched a new legal foray for copyright royalty charges against iHeartMedia in Illinois. However, three days after filing the suit, ABS filed to dismiss the charges. Continue Reading
We covered the alpha launch of Aurous, a streaming service that has already attracted the ire of music labels on charges that it infringes on their copyrights. Just days after its debut, the site has been issued an order by a U.S. District Court judge to temporarily suspend distribution. Continue Reading