Pandora settles with the RIAA for use of pre-1972 music

As rumored, Pandora has settled with the RIAA for use of pre-1972 music through this year and next. Settlement cost is $90-million. This development comes a few months after Sirius XM, likewise a defendant in cases focusing on performance use of oldies, settled with major labels and other litigants through 2017, at a coast of $210-million. Continue Reading

Spotify payment dispute underlines the “black box” of music royalties

Buzz, accusations, and legal jargon are swirling around the echosphere today in the wake of Spotify’s removal of the Victory Records song catalog from its library. Music licensing and royalty payouts in interactive streaming services are complex, sometimes compared to an impenetrable black box. Is there a solution? Continue Reading

Rumor Fact(ory): Pandora may be near pre-1972 copyright settlement

The legal battles over royalties for songs recorded prior to 1972 have been an ongoing headache for labels and streaming services alike. Pandora has been the subject of a couple legal forays in this regard, including one lawsuit filed by recording companies in New York State Supreme Court. The New York Post has reported that Pandora may be on the brink of a settlement to end that case. Continue Reading

UK managers’ group issues report arguing for more transparency in digital royalties

The Music Managers Forum released a new report titled “Dissecting the Digital Dollar” that examines the industry’s income from digital sources. The UK group used the report as a chance to push for more transparency in the business of online music. It posed seven key issues for the industry to address and closed with a survey of managers. Continue Reading

CRB approves the NPR/SoundExchange 2016-2020 rate deal

SoundExchange and the public radio networks have received approval from the Copyright Royalty Board for their royalty settlement. CRB still needs to approve the part of the settlement that dubs the public radio sector a collective entity, a decision which is not expected until after it has settled rates for all webcasters. Continue Reading

CRB may want different royalty rates for different suppliers

The Copyright Royalty Board is still in the throes of its decision-making process of setting webcasting licensing rates for 2016-2020. In the latest development, the CRB has asked the Copyright Office whether it can set different rates for different music suppliers. The query has sent industry leaders into heavy speculation about the intent behind it. Continue Reading