Brief news items and worthy reads from around the web: Q&A about the Songwriters Equity Act; Mad Genius hits crowdfunding goal; Bandcamp hits $100 million in artist payouts. Continue Reading
The Songwriter Equity Act has been reintroduced to Congress, which could lead to changes in how royalties to composers are calculated. The act, which was initially introduced last February but not passed, seeks again to amend two sections of the Copyright Act. Continue Reading
The Download on Podcasts is a new weekly feature sponsored by PodcastOne.
Podcasting is generally known as a spoken-word audio category. But there is no technical roadblock to publishing musical podcasts. Legal restrictions are the problem — U.S. music licensing law that dates back to early days when podcasting operated differently than it does now. Everyone loses without an easier licensing framework for podcasts, but there are legal options. Continue Reading
Flo & Eddie, representing The Turtles, have been cutting a legal swath through audio publishers of late. Most of its lawsuits have focused on Sirius XM, but Pandora was also on the receiving end of a suit seeking royalties and damages for playing songs recorded prior in 1972 when U.S. federal copyright law took effect. Continue Reading
One of the most intractable issues in music licensing is broadcast radio’s exemption from performance royalties to artists and labels for the use of recorded music. The exemption has the weight of history: It has always been so in the U.S., though not in most other countries with government-regulated music licensing. The situation’s rarity is not of concern to advocates of radio’s licensing privilege, who assert that radio’s traditional role in driving awareness, success, and sales of music performers is as vital today as ever. Continue Reading
SoundExchange filed its rebuttal document with the Copyright Royalty Board (CRB), part of the “Webcasting IV” proceeding which will set music licensing rates that govern online radio royalty payments to artists and labels for the 2016-2020 period. Pandora filed its… Continue Reading
Dozens of Swedish songwriters signed an OpEd in Aftonbladet, a leading Swedish newspaper, complaining of low royalty payouts from streaming services compared to royalties collected by record labels, and predicted an imploding industry if a different balance is not created. Spotify is a target, but record labels get more heat. Continue Reading
A lawsuit brought by VerStandig Broadcasting in Virginia last May, which sought to limit music royalty payments for its webcasts, has been ejected in a pre-trial dismissal by a federal judge. Judge Michael Urbanski reportedly dismissed the case as too “speculative” and “hypothetical” for trial. Continue Reading
U.S. District Judge Colleen McMahon has granted Sirius XM the right to appeal its New York lawsuit over royalties for pre-1972 recordings. McMahon wrote that she granted appeal permission because of “a critically important controlling question of law” and uncertainty about whether Sirius XM had fair use to make temporary copies of the music. She determined that the case “warrants a close look by a controlling court.” Continue Reading
As we reported last week, the U.S. Copyright Office released a comprehensive review of music licensing, and made recommendations for changes. Broadcast Law Attorney offers this thorough analysis of the report’s contents.
“The report tees up many issues for consideration. So now, let the debate begin!” Continue Reading
The Recording Academy and an alliance of A-list musicians have formed the Creators Alliance, an advocacy group that hopes to influence U.S. music licensing regulations for streaming services. the venture was announced by Neil Portnow, President and CEO of The Recording Academy. Continue Reading
The U.S. Copyright Office released a comprehensive critique of how music licensing works in the U.S. Criticism, by itself, is not noteworth ythese days. The document is exceptional for its detail, pedigree, and disruptive recommendations. The headline recommendation: Broadcast radio should start paying artists. Continue Reading