Grammy-winning musician and congressional witness calls YouTube a criminal racketeer

Increasingly vocal critics of YouTube have a heroic new champion, not new to the cause, but willing to dramatically escalate its rhetoric. Five-time Grammy-winner Maria Schneider, who has testified before Congress on “safe harbor” issues that affect musicians, released two blazingly critical documents. Together they comprise the harshest and most articulate indictment of an anti-YouTube stance taken by an increasing number of music rights-holders. Continue Reading

Kobalt’s AMRA posts 28% increase in Spotify, YouTube earnings

The American Music Rights Association (AMRA), owned by music publisher Kobalt, which claims to be the largest independent music publisher in the world, reported increased earnings from both YouTube and Spotify in Q3 2015. During its first three months of administering Kobalt’s catalog in Europe, AMRA saw a 26% increase in Spotify earnings and a 34% increase in YouTube earnings for the publishing client. Continue Reading

YouTube emphasizes music as it releases TV-crushing metrics

“Today, I’m happy to announce that on mobile alone YouTube now reaches more 18–49-year-olds than any network — broadcast or cable. In fact, we reach more 18–49-year-olds during primetime than the top 10 TV shows combined.”
YouTube CEO Susan Wojcicki made this announcement at an industry event targeting advertisers and agencies. Continue Reading

Europe’s digital chief joins the YouTube debate

Another voice joined the debate over YouTube, this time from the EU government. Andrus Ansip, former prime minister of Estonia and current vice president for the digital single market on the European Commission, said YouTube’s lower payments made to the music industry give it an unfair advantage over services that focus on subscriptions. Continue Reading

The industry’s battle against YouTube gathers steam

With the recent wave of music industry organizations worldwide releasing their data for 2015, two distinct trends have emerged. One of them is a growing dissatisfaction with the flow of money through ad-supported streaming services. Some reports just imply frustration, while others have centered on YouTube as the symbolic scapegoat for their anger about the amount of revenue generated by that type of media platform. Continue Reading