Pandora has signed a U.S. license agreement with music rights management company BMG for its complete catalogs of both ASCAP and BMI music. Few details about the multi-year agreement were disclosed in Pandora’s press release, but it did point to mutual business and marketing perks for all parties involved. Continue Reading
Most of the top online radio and streaming services place their focus squarely on individual people as their listeners. Feed.fm is turning the idea of digital music into a B2B product with its “music as a service” offerings. VentureBeat reported that Feed.fm recently secured a $1.2 million round of financing that will go toward hiring new talent for the six-person team. Continue Reading
Universal Music Publishing Group has followed through on the plans it made earlier this summer to list its catalog online. For starters, the online Song List only includes the portions of its catalog written by members of the ASCAP, BMI, and SESAC performing rights organizations. The company plans to expand the list over time. Continue Reading
For the first time in its history, the streaming service will begin running advertisements for U.S. listeners. “The introduction of advertising is an important step for creators,” Founder and CEO Alex Ljung said. “Every time you see or hear an ad, an artist gets paid.” The company also debuted plans for a creator partner program called On SoundCloud that aims to aid members in turning their music streams into revenue streams. The crucial note in SoundCloud’s discussions of this change is its focus on the artists. Continue Reading
Sony/ATV/EMI announced that its complete catalog of songs is now visible on its website. “As the world’s leading music publisher we want to ensure that existing users, prospective licensees and those with a need to access our extensive song list are provided with that capability,” said Martin Bandier, the company’s chairman. Continue Reading
The latest of many legislative proposals which would require broadcast radio to pay performance royalties to labels and artists was introduced yesterday in the House of Representatives. The bill spins a cagey framework by putting radio stations on the same place in the delivery chain as cable companies. Continue Reading
A small Virginia radio group, VerStandig Broadcasting, has filed for a declarative judgment in a local district court, seeking to escape payment of performance royalties in its webcasts. The loophole exists in radio’s exemption from paying for the recordings it broadcasts over the air. Continue Reading
The world’s biggest record label groups have filed a lawsuit against Pandora in an attempt to recoup royalties for music recorded before 1972, which is not protected by U.S. copyright law. The legal question hinges on a loophole in the U.S. Copyright Act. the suit is filed in New York State. Continue Reading
Music licensing is a mess — few people or companies would disagree. The copyright arm of the U.S. government is thinking about change. As part of the process, the U.S. Copyright Office is initiating a Music Licensing Study, and seeks comments. If the Copyright Act is headed for reform, this is the webcaster’s opportunity to be part of the process. Continue Reading
The court decision in the ASCAP vs. Pandora royalty-rate trial was released this morning. In the lengthy court document, presiding federal judge Denise Cote explains how ASCAP failed to achieve the escalated royalty rates it sought on behalf of its client publishers and composers. “ASCAP has not carried its burden.” Continue Reading
Pandora just saved about $21-million. The recently concluded ASCAP vs. Pandora trial could be framed as a draw, with the disputed royalty rate to publishers maintained. But crunching the arithmetic shows the court decision comes much closer to Pandora’s desired outcome than ASCAP’s, and provides a view of how much money Pandora saved — or ASCAP lost, depending on the viewpoint. Continue Reading
The ASCAP vs. Pandora rate-setting trial, brought before a federal judge to determine how much Pandora must pay music publishers and composers to play recordings of their music, has ended in a preservation of Pandora’s existing rate. While Pandora hoped to lower that rate by a small amount, ASCAP hoped to raise payments by up to 62% Continue Reading