Warner distribution division has shut down several accounts for small retailers of physical music. According to Pitchfork, WEA is enforcing a policy that requires a minimum annual order of $10,000 for stores with direct accounts. Continue Reading
Apple has proposed a new royalty structure for streaming music, one that would be simpler but could create a financial pinch for freemium services. In a proposal to the U.S. Copyright Royalty Board, Apple recommended a system where all on-demand streaming services would pay songwriters a statutory rate of 9.1 cents per 100 plays. Continue Reading
Yesterday’s announcement that Rhapsody would rebrand as Napster across its global music service empire caused flashbacks in the minds of digital audio veterans. Matt Graves helped launch Rhapsody in 2001, and has worked in the online media fields for even longer. In this guest column he reviews the astonishing and unlikely history of Napster. Continue Reading
One pre-1972 copyright case that has escaped broad awareness is Capital Records vs. Vimeo, the high-end video platform. Vimeo has just won an appeal that absolves it from treating pre-1972 music content differently from post-1972 music content. Continue Reading
Guest columnist Vickie Nauman is Principal and Owner of CrossBorderWorks Consulting & Advising, and was U.S. President of 7digital for two years. Here, she identifies five points of sustainability in the new music industry. Continue Reading
Brief news items and worthy reads from around the web: Troy Carter goes to Spotify — is it a trend signal? Also The Pirate Bay returns to its original domain and Apple’s App Store is getting a big revamp. Continue Reading
With the recent wave of music industry organizations worldwide releasing their data for 2015, two distinct trends have emerged. One of them is a growing dissatisfaction with the flow of money through ad-supported streaming services. Some reports just imply frustration, while others have centered on YouTube as the symbolic scapegoat for their anger about the amount of revenue generated by that type of media platform. Continue Reading
The IFPI has released its 2016 global report, which points to streaming as the key reason behind music’s first year of significant total revenue growth since 1995. Global revenue rose 3.2% last year to $15 billion. Digital outperformed physical revenue for the first time, a result that echoes the U.S. trend highlighted by the RIAA’s annual report. Within that strong performance, streaming emerged as a powerhouse, accounting for 43% of the year’s digital revenue. Continue Reading
Intellectual property attorney Angus MacDonald was the first to calculate that Pandora paid more than half of all SoundExchange collections of royalties to record labels. In this column, he calculates a higher percentage for 2015, noting that the growth of SoundExchange royalty collections is tied closely to Pandora, and that the pace is slowing. Continue Reading
The music industry is taking a stand against the Digital Millennium Copyright Act, with more than 100 artists and managers petitioning the U.S. Copyright Office to change the current safe harbor laws. The industry has submitted three letters to the office – one from music managers, one from creators, and one from artists and songwriters – explaining their concerns with the existing interpretation of the regulation and calling for change. Continue Reading
A large swath of streaming platforms have been hit with another lawsuit over pre-1972 royalties. The plaintiff is Ricky Spicer, a member of the group Ponderosa Twins Plus One, and he is seeking class action status for his case against Spotify, Apple, Google, SoundCloud, iHeartMedia, Pandora, and Sony Computer Entertainment. Continue Reading