RAIN Summit West will occur on Sunday, April 6th in Las Vegas. One afternoon panel is “Moving the Needle on Streaming Audio Ad Revenues,” moderated by Rockie Thomas, VP of Business Development at AdsWizz. Thomas will lead a discussion among a lineup of executives from SoundHound, Pandora, Spotify, Targetspot, Triton Digital. Continue Reading
The ASCAP vs. Pandora rate-setting trial, brought before a federal judge to determine how much Pandora must pay music publishers and composers to play recordings of their music, has ended in a preservation of Pandora’s existing rate. While Pandora hoped to lower that rate by a small amount, ASCAP hoped to raise payments by up to 62% Continue Reading
The five most-read articles last week: iHeartRadio’s news bulletin; Amazon’s possible music service; Mixcloud’s ambitions; Neil Young’s very successful bad idea; RAIN Poll results. Continue Reading
The Radio Advertising Bureau (RAB) today released a 2013 revenue report for broadcast radio. By a wide margin, digital revenue led other income segments in year-over-year comparisons. Overall revenues were flat in 2013, when examined through two lenses: full year-over-year, and Q4 2013 vs. Q4 2012. Digital is growing fast from a small percentage of total radio revenue — 5% in 2013. Continue Reading
Amazon is reportedly negotiating with music labels about an Amazon-branded music service. According to Recode’s sources, the talks are not flying along because Amazon is asking for more favorable licensing terms than those negotiated by music-only services. Continue Reading
In an interesting and opportunistic maneuver, U.S.-based music service Rdio has acquired teetering Indian streaming platform Dhingana. Dhingana will power Rdio’s India launch sometime this year. The Indian music business is estimated at $170-million, mostly comprised of Bollywood (or “filmi”) songs. Around the edges, Indipop, regional music, devotional songs, and infiltrations of Western pop are additional categories. Continue Reading
The General Manager of Rhapsody-owned Napster Europe caused some raised eyebrows, confused head-scratching, and probably an internal memo or two, when he was quoted in an Inquirer interview saying that streaming platforms will always be mainly discovery tools for buying CDs. The remark clearly didn’t play well, so Schliesche went back to The Inquirer to revise the record. Continue Reading
This guest column is from Anthony Gherghetta, Creative Director at The App Studio in Melbourne, Australia. “Broadcast radio is at a pivot point where it needs to slightly change direction or risk being left behind. In two or three years the ship will have sailed. Revolutions need revolutionaries and radio needs them now.” Continue Reading
Currently, iTunes Radio is packed into the default Music app, the icon for which which cannot be removed from the iPhone/iPod/iPad desktop. The iTunes Radio brand is not spelled out anywhere in the system. As a review point of the service and its accessibility, we think iTunes Radio should exist as a separate identity in iOS. Continue Reading
Nielsen-owned (as of February) Harris Interactive conducts an annual nationwide poll of U.S. consumers to determine what it calls “brand equity.” Harris has released the 2014 edition, and called out streaming services for their rapid gain in positive brand recognition over the last two years. Continue Reading
In the wake of Audi’s announcement of its Internet-enabled 2015 A3 model car, with high-speed 4G LTE connectivity built in, we asked reader whether they would pay for a data plan for their cars. It was the most lopsided RAIN Poll yet. Continue Reading
M. Luke McDonell is a writer, artist, and photographer living in San Francisco. A veteran of South by Southwest, she is contributing airy contributions from the 2014 show. This SXSW report is from the first weekend of SXSW Interactive. Continue Reading