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Amazon Firefly: A twist on Shazam and SoundHound

Amazon released its much-awaited Fire phone this week, stepping into competitive waters with Apple and Google on the hardware side. At the same time, Amazon is stabbing into the music-identification space dominated by Shazam and SoundHound, each of which gives users quick song recognition and the ability to store “finds” in partner music services like Rdio and Spotify. Amazon’s most remarkable Fire phone feature is Firefly, which identifies music and much more. Continue Reading

Easter for Earbits: A music service resurrected

Less than a week ago, interactive music service Earbits announced its sudden closure. Details were scant, but lack of funding seemed to be the problem, when CEO Joey Flores said, “We bit off more than we could chew.” Today, Flores sent a celebratory note to registered users announcing that a heroic (and unnamed) investor had stepped in to revive the service, which had been dark for five days. Continue Reading

SoundExchange introduces the Digital Radio Report, explaining royalties paid to artists

SoundExchange released the first edition of a new quarterly royalty breakdown called Digital Radio Report — an animated infographic that promotes SoundExchange’s contribution to the economy of streaming music (plus comedy), and reveals general music-licensing information to demystify how royalties work. Continue Reading

T-Mobile game changer: Unlimited data for music

Wireless company T-Mobile announced a change to its cell-phone service plans that potentially impacts how consumers choose their telecom providers, music services, and even cars. Called Music Freedom, it affords unlimited music streaming for “major” music services, regardless of the plan’s data cap. A related deal with Rhapsody sweetens the package. In an era when paying for data can be more burdensome than paying for music, this initiative could turn some heads. Continue Reading

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Rhapsody unRadio: Shrewdly targeting Pandora and Spotify

In its most important structural change in years, and a meaningful expansion of its business model, on-demand music service Rhapsody has announced unRadio, and added the new listening experience to all its apps. At the same time, Rhapsody is starting a partnership with T-Mobile, wherein unRadio is available free of charge to T-Mobile wireless cell-phone customers.

As a stand-alone service, whether through T-Mobile or not, unRadio shrewdly combines lean-back listening, similar to Pandora, with on-demand interactivity, similar to Spotify and Rhapsody’s own Premier plan. Rhapsody is effectively straddling the gulf between free listening supported by advertising, and the full interactivity of a celestial music jukebox. It could hit a sweet spot for some music-lovers. Continue Reading

Introducing RAIN News job listings

We are pleased to announce that we now offer job listings on the site. RAIN News reaches a concentrated audience of industry professionals in Internet radio, broadcast, and vendors to both industries, plus a more general readership of industry observers. A recent reader survey revealed that over 70% of respondents visit RAIN News at least once a week. Over 70% characterized RAIN News as “the leading industry publication for online audio.” Continue Reading

adStream: Spotify to pitch video sponsorships of entire playlists

At RAIN Summit NYC in February, Gary Liu, Global Head of Industry Development at Spotify, suggested a novel advertising strategy during a panel session. Liu speculated that music-service listeners might be willing to play ads on demand, in order to clear out advertising for an extended stretch of uninterrupted music listening. There were some chuckles in the audience over that, but a report in AdAge indicates that Spotify will pitch a similar idea to advertisers at this week’s Cannes Lions festival. Continue Reading