Installing Beats Music as a built-in iOS app creates headlines, and is an obvious maneuver, but it barely lessens the challenge faced by Apple in the brutal music subscription space. It will not, by itself, move the needle for Beats or Apple. A crucial new effort is needed, and Apple has not demonstrated creativity in the music space for years. Continue Reading
With the “freemium” model of ad-supported, semi-interactive listening under attack in some quarters, YouTube has formalized whole-album listening in its new YouTube Music section. The impact might be to raise consumer expectation of a highly interactive feature in a free, ad-supported service. Continue Reading
Radical.FM, an innovative online radio service that has been available only in mobile, extended its presence by launching a desktop version for computer listening. We took a tour through the multi-genre mixer that defines Radical.FM’s interface, and spoke with Tom McAlevey, founder, CEO, and serial online radio entrepreneur. Continue Reading
In a brisk 51-minute conference call with investors yesterday, Pandora described its strategy in the Copyright Royalty Board (CRB) proceeding, explained why it thinks music licensing costs (to labels) should be lower, and fielded questions about the company’s key partnership with Merlin labels. Although Pandora executives often speak at investor conferences, and conduct quarterly earnings calls, the single-topic focus of yesterday’s call was unusual. Continue Reading
NextRadio, the Emmis-owned smartphone app that tunes in FM station over the air, has employed New York ad agency DeVito/Verdi to build an awareness campaign, according to a press release from the agency. The NAB “is supporting” the agency choice. NextRadio rrecently passed the million-download milestone. Any awareness campaign faces complicated messaging. Continue Reading
Freemium — the layer of streaming music which is designed to funnel users into paid music subscriptions at services like Spotify, Rdio, and Slacker. Freemium streaming is ad-supported, and we were curious about spot load in Freemium listening. We put it to a test. Continue Reading
In an initiative marked by repeated long delays, it is perhaps unsurprising that Music Key, YouTube’s new music subscription service which was supposed to start today, has been pushed back to tomorrow. In other Music Key news, it is widely reported that a rumored subscriber connection between Music Key and Google’s audio-only subscription service, All Access, will indeed happen. Continue Reading
Tomorrow, Pandora will discuss the eventful and controversial topic of music licensing in a public conference call with investors. Anyone can dial in. The call comes after webcasters filed their royalty-rate arguments to the Copyright Royalty Board, in which Pandora proposed royalty rates to labels and artists lower than present rates, and about half the amount suggested by SoundExchange in its brief. Continue Reading
Audio ad platform TargetSpot announced a partnership with RMS, the leading audio ad network in Germany. RMS also operates an Internet radio publishing platform for German online radio stations. TargetSpot merged with leading Internet radio platform Radionomy in January. with both companies involved in audio publishing and ad marketing, the synergies of this deal appear to angle in from all directions. Continue Reading
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A six-minute blast of news you need to know in streaming music and online audio. This week: YouTube Music Key finally arrives (partially); iHeartMedia rate proposal; in-car listening preferences; Rhapsody earnings; SoundHound’s new app; Disney goes digital on Slacker; Taylor Swift redux. Continue Reading
Ad-tech company AdsWizz announced the hire of Paul Brown as VP, European Solutions. Brown leaves Bauer Media, one of the U.K.’s largest radio groups, where he was Digital Development Director. He joined Bauer as part of the acquisition of Absolute Radio in 2013. Continue Reading
Thought leader and guest contributor Mark Mulligan looks at just-launched YouTube Music Key, and digs into a series of questions about artist response, the fate of music video service Vevo, the potentially changing price point of music subscription, and a YouTube identity crisis. Continue Reading