adStream is a journal of ad-stalking and interesting commercial sightings in online audio services. It had been a while since we had turned our ad-stalking attention to Slacker Radio. We wanted to see whether Slacker deployed a similar full-court press as Pandora, which frequently covers our phone screen with a graphic ad that must be manually closed to see what’s playing. Continue Reading
Once a pioneer, subscription music-download site eMusic is striking out afresh with news of a change its music catalog to focus on indie labels and artists. The service will discontinue major-label recordings. In doing so, eMusic circles back to its roots as a champion of indie music, and of users who dig deeper than the hit charts. Continue Reading
Mark Kassof shared data from a recent survey about the attitudes of teenagers toward FM radio. The 506 online surveys of respondents aged 13 to 20 revealed that only 7% listened to FM radio the most for music. Even online streams of terrestrial stations had limited reach. Just 16% of respondents said they listened to online radio station streams often, while 31% said the did so sometimes. Twenty percent hardly ever listened and 26% have never done so. Smartphone apps for AM and FM radio stations also had limited reach: 49% have never listened on those services. Continue Reading
It seems yesterday’s news was just the tip of the iceberg in Grooveshark’s copyright woes. Today, a district court judge ruled that Grooveshark is liable for copyright infringement because its employees uploaded tracks without the labels’ permission. The judge determined that these uploads were not protected by the DCMA safe harbor provisions. Continue Reading
In March we covered the first ruling in a years-long court case against Michael Robertson, founder of MP3Tunes.com. The verdict went badly for Robertson, who faced a bill for $48-million in damages and punitive compensation. Now the presiding judge has reduced the punitive component of the verdict to one-tenth of its original size — from $7.5-million to $750,000. Continue Reading
After several weeks on an invite-only basis, Spotify has made its official entrance into Canada. The Swedish streaming platform staked a claim to “one of the most extensive Canadian music catalogues available,” with access to more than 20 million songs in the market. It noted a “comprehensive Quebecois library” within those millions of tunes, according to VentureBeat. Continue Reading
Brief news items and worth reads from around the web. TODAY: Samsung partners with Google streaming music; digital radio in France, a streaming hit in the U.K. Continue Reading
audioBoom (formerly audioBoo) has re-launched on a new domain and with new branding. At the same time, the company rolled out a renovated iOS iPhone/iPod app that overhauls the previous version’s navigation and features. Continue Reading
Monday distraction: Paul Lamere, Director of Development Platform at The Echo Nest, which is owned by Spotify, has created an entertaining hack that anyone can try — Where Is the Drama? The idea is to use waveform analysis to identify a song’s climactic section. The experiment is fun, if nothing else. Read how Lamere accomplished this hack, and where you can test it. Continue Reading
Sirius XM was on the receiving end of some bad copyright news last week, and this week the recipient is Grooveshark. Universal Music Group is pushing for a summary judgment, claiming that it is the owner of pre-1972 recordings played on the streaming service. Since Grooveshark’s users are the ones uploading content and since labels can issue takedown notices, the platform has argued that it is covered by the Digital Millennium Copyright Act’s safe harbors and thus is not liable for infringement. Universal is arguing that this provision should not apply to the music dating before 1972. Continue Reading
In 2001, British station manager Richard Cowell crossed the digital divide to launch Music One, a top-40 Internet station. He gradually shifted the programming to dance music and saw the audience grow in support of that format. These days, Music One plays a foot-bouncing mix of EDM and dance pop. Continue Reading
Apple’s forced distribution of U2’s new album, Songs of Innocence, is widely regarded as a public relations catastrophe that damaged both brands. We asked RAIN readers what they thought about free music landing in their devices. Welcomed gift, or abhorred gaffe? The results are fairly definitive. Continue Reading