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Live365 set to return: Big news for small webcasters

live365 return canvas

Live365, the internet radio host which catastrophically unplugged its service in January, has resurfaced and is planning to re-open. The re-emergence of a mainstay resource for internet radio stations will come as a shock of good news to small webcasters which have struggled to survive since January, or which have not survived. But the news is full of yet-unanswered questions.

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NMPA and NSAI propose big boost in on-demand streaming publisher payments

NMPA canvas

The National Music Publishers Association and the Nashville Songwriters Association International have submitted their proposal for the rates publishers will receive from interactive music services in the 2018-2022 period. The groups’ submission to the Copyright Royalty Board includes a three-part formula for digital licensing rates.

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0

NMPA moves to block Sony from joining mechanical royalty CRB proceedings

NMPA canvas

The National Music Publishers Association and the Nashville Songwriters Association International have moved to block Sony Music Entertainment from participating in the new round of Copyright Royalty Board proceedings. After setting webcasting rates for the 2016-2020 period, the CRB will next consider mechanical royalties that will apply to interactive music services for 2018-2022.

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20

Apple pitches flat rate for on-demand songwriter royalties to CRB

Apple logo black canvas

Apple has proposed a new royalty structure for streaming music, one that would be simpler but could create a financial pinch for freemium services. In a proposal to the U.S. Copyright Royalty Board, Apple recommended a system where all on-demand streaming services would pay songwriters a statutory rate of 9.1 cents per 100 plays.

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9

In the new era of small webcasting, StreamLicensing builds tech to survive

Webcaster host StreamLicensing runs a business model that pays label royalties on behalf of its member stations, funding the business with advertising target to combined audiences. But when that royalty cost dramatically escalated for U.S. webcasting in January, owner Marvin Glass sold to Stardome Media Group and warned the new owners that success would be an uphill climb. We spoke with a Stardome exec about the way forward.

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