Spotify has announced change to its royalty payout calculation, limiting royalty eligibility to tracks which exceed 1,000 streams per 12-month period. Whereas in the past, sub-1,000 tracks earned negligible royalties, now those tracks will be taken out of the calculation entirely. This change will create meaningful results. Continue Reading
Rights management and revenue distribution company BMI has released its annual report (HERE). While the public document does not contain a detailed financial breakout, some success metrics are described by President and CEO Michael O’Neill. BMI is a PRO (Performance… Continue Reading
The new royalty attribution method recently deployed by Universal Music Group and streaming music platform Deezer seeks to make royalty calculation more fair. But the change is not universally applauded. Two digital distribution companies Believe and TuneCore, whose customers are mainly indie musicians, calls the system “reverse Robin Hood.” Continue Reading
In an unprecedented shift in how streaming music royalties are assessed, Universal Music Group (UMG) has reached agreement with Paris-based global streaming service Deezer. It is an artist-centric model which scales payouts upward in an attempt to reward musicians who are most favored by fans. Click for the details. Continue Reading
In a Federal Register notice just published today, the Copyright Royalty Board announces cost-of-living increases in the statutory royalties to be paid by webcasters to SoundExchange for the public performance of sound recordings, which represent a ~9% increase for the… Continue Reading
Royalty collection and distribution agency SoundExchange has won a judgment of $9,765,396, plus legal fees, from the Slacker Radio division of LiveOne (formerly LiveXLive) in the U.S. District Court for the Central District of California for unpaid music royalties and… Continue Reading
Almost certainly the highest cost line item for U.S. music-based online radio services is the royalty that such services pay for rights to the sound recordings they play, with those rates set every five years in a tribunal conducted by… Continue Reading
Royalty collection and distribution agency SoundExchange announced this week (press release here) that is has filed suit in the United States District Court for the Central District of California against Slacker, Inc. and its parent company LiveOne, Inc. to recover… Continue Reading