Digital measurement firm comScore released new data on mobile and smartphone usage last week. Two streaming apps, YouTube and Pandora, are in the top five. Pandora’s mobile strategy is the key to the streaming platform’s amazing success. With more than 70% of their listeners on mobile, Pandora understood that concept early and capitalized on it. Continue Reading
YouTube’s influence and audience clout are widely recognized in a general way, but the video platform’s competitive stature is quantified explicitly in new data from Edison Research. In a 44-page slide presentation, one crucial fact is that radio’s most ardent listeners are sharing time with YouTube, especially in the CHR, Urban, and Rock categories. Continue Reading
Audiam, a seven-month-old startup, announced closing a $2-million investment round. Notably, the coalition of investors comprises musicians, small-label owners, and producers. The company solves a unique problem, by identifying unauthorized use of recorded music on YouTube, and generating royalties for rights-holders. Continue Reading
Yesterday we wondered whether SoundCloud could live up to its investors’ aspiration to be the “YouTube of Audio.” The new visual player is an excellent first step in that direction. Click through to see it in action. Continue Reading
In December we reported revenue declines for CBS-owned Last.FM. Now the company has cut costs with a new video-music player powered by YouTube. The Scrobbler function, which has been Last.FM’s distinguishing feature, connects to the new player. Continue Reading
Although the deal closed last year, the news is breaking only now: SoundCloud scored $60M of new funding from Institutional Venture Partners (IVP) and the Chernin Group. Investors call SoundCloud the YouTube of audio. Isn’t YouTube already that? Continue Reading
Why is audio less viral than video? Audio has to work harder to be good. But when it is, it’s almost better. What are the elements that make great audio that people will want to share online? Continue Reading
British rock band Oasis has yielded to time and trend, adding its 10 albums (representing over 70-million album sales) to Spotify, Rhapsody, Deezer, and Rdio. As usual with announcements like this, but rarely mentioned, YouTube already carries Oasis extensively, with full albums, live performances, official videos, and the band’s own YouTube channel. Continue Reading
ZUUS is streaming video playlists. The desktop experience is pleasing, allowing the user to drill into a (limited) suite of genre channels. Perhaps of greater interest are curated video stations such as Village Voice Curated and Cake Shop NYC Curated. Could ZUUS be a Vimeo-like alternative to YouTube’s upcoming music service? Continue Reading
Internet radio and streaming audio have inched toward mainstream use, but still lag other media consumption types. A new study from MIDiA Consulting (Media Insights & Decisions in Action) seeks to discover why — while profiling digital music users generally. Continue Reading
An unofficial revenue report reveals YouTube as a financial giant. On the content side, YouTube is winning the streaming-music war before launching its rumored music service. Led Zeppelin signed an “exclusive” streaming deal with Spotify, but already has a much larger presence on YouTube. Continue Reading
But probably not for long. Keep in mind that everything written about YouTube’s entry into the subscription-music market is rumor, based on undisclosed sources. The latest twist: AllThingsD reports the rumored service will not meet its rumored launch timeframe (end… Continue Reading