The RIAA released new data about the Latin music market, which supports the overall trends laid out in the organization’s half-year report. Revenue from Latin music in the first six months of 2017 totaled $115 million, up 44% from the year prior. Continue Reading
Stream ripping has been one of the most persistent trends in potential copyright infringement, topping reports from the IFPI, Muso, and the Office of the U.S. Trade Representative. Websites that allow stream ripping were a focus in the RIAA’s letter to the U.S. Trade Representative with information for the Notorious Markets List. Continue Reading
For some time now, the music industry has been tracking trends of increased revenue from streaming as income from physical formats and downloads wanes. The RIAA H1 2017 data shows that the first half of this year continued those trajectories. Streaming secured a 62% share of the first-half revenues and total streaming revenue for the period was $2.5 billion. Continue Reading
Brief news items and worthy reads from around the web: New chapters in the licensing database saga; Apple’s original programming begins with Carpool Karaoke; iHeartRadio’s latest in-car collaboration; Spotify Xbox app reportedly in the works. Continue Reading
Cary Sherman will step down from his role as CEO and chairman of the RIAA at the end of 2018. Sherman has been with the industry group for more than four decades, beginning as an outside counsel and then climbing the ladder to the top post. Continue Reading
The RIAA report presents a snapshot of the U.S. recorded music market. For 2016, that photo puts streaming front and center. Streaming platforms generated the majority of the U.S. music industry’s revenue during the year, securing 51% of the industry total. Continue Reading
The RIAA often leads the industry charges in legal actions for the digital music space and it has ridden into the fray once more. It is suing a streaming website and app called Spinrilla on behalf of several major record labels. The RIAA said it found more than 21,000 copyrighted sound recordings uploaded to the platform. Continue Reading
The RIAA has released its mid-year report, complete with data on the music industry’s first six months of 2016. The U.S. market’s H1 period for 2016 echoes the trend we’ve seen in many markets worldwide of rising results for streaming, subscriptions in particular, as downloads and physical sales decline. Continue Reading
Brief news items and worthy reads from around the web: Troy Carter goes to Spotify — is it a trend signal? Also The Pirate Bay returns to its original domain and Apple’s App Store is getting a big revamp. Continue Reading
2015 was a banner year for streaming. The RIAA released its results for the past year and found that streaming was not just the biggest segment of digital revenue, but also the largest component of industry revenue, period. The performance for 2015 demonstrated that streaming music continues its rise in both cultural and financial importance for the music industry. Continue Reading
News items and worthy reads from around the web: Will Streaming Music Kill Songwriting? Also the RIAA’s half-measures in streaming and forecasting a direct-to-fan future Continue Reading
Guest contributor Mark Mulligan reacts to the RIAA’s decision to add YouTube music streaming metrics into the organization’s sales calculations and bestowal of Gold and Platinum album awards. But is streaming the same as buying? Here, the key difference. Continue Reading